behind the mule

Strongman Plow

The mizzle was the type of drizzle that drove him batty. Forever speckling his glasses, so that he had to take them off, wipe them, and replace them every few minutes. This was daft, he decided. Nowhere but here does it mainly rain.

Nowhere but on the Spanish plains do they lament the death of Franco—the laying-on of paternalistic hands—hands missed at the moments that one is being confronted by liberal foolishness, he thought, in an atypically illiberal instant.

He heard his father’s voice again through time and space: we need the return of the strong man—he of the gentle but firm hand guiding us, occasionally tapping us on the head when we veer off-course. Deliberate. Stolid. Of course we need his guidance, for we are nothing without it. Without him.

He had the insight that his father was sin and mental illness incarnate. A burr of incessant commands. A fuzz of violence. A spritz of acid walking.

His father once said, “get behind the mule and plow for the state. Plow for the caudillo!”

He told his father that the good lord knew he tried, but he wasn’t going to move a foot. Not behind the mule, the plow, or his father. “You are not the boss of me. Boss men are a thing of the past,” he said, and spit a wad of bubblegum out. “No sir, ain’t doing it. Get yourself some other flunky.”

His father didn’t take kindly to that, and set off on a pitched run toward him, and as he appproached and reached out for him, the son, for he was his son…

(I thought it was obvious. I tagged his father as “father” … if not, forgive me for the incomplete scene setting and half-constructed world … I gave you drizzle, but really not much in way of landscape, no … you see, there have been problems, issues you might call them: bomb cyclones to endure, debt ceilings to fret about, desperate measures to consider … did you know that … sorry, back to this other thing … humbly … sorry)

… He deftly took a half-step back, tilted up his boot and caught his father at the base of his leg, and off his father flew—the impulse of his own weight and gravity. Gravid gravity—

(though neither had ever been pregnant—it’s merely a secondary definition of gravid at work here—but they’d often been under the effects of centrifugal force, which really if you think about it might be the most effective way of rendering this … sorry, again)

Five feet later his father came down with a mortar shell thud, and an exhalation of breath that sounded closer to a pig’s squeal. The father knew he was beat before he even thought of getting up. The wind had left him. His fingers bent up to the sky, the same crooked talons that grasped his neck and shook him violently as a child.

He now chewed a new wad of John Cage bubblegum—

(NOTE: All music is currently being composed by chance operation. There is no sound. Not yet…)

What I’m Reading:

“There are many corpses on the back of this country, and we will continue to carry them until we have the right tools, the right words, to bury them, so that the fertile human field of becoming can flower with justice and equality.”

— Joy Harjo / Catching The Light

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in his head

bloodbrainvolume

the lone image that resolved in his head was that of the video of Amanda Fielding’s bloodbrainvolume pulsing through the sub-cranial dura to the rhythm of her heart and that first tenuous trickle of blood that riverined down her forehead…

What I’m Reading:

“I never trust the airlines from those countries where the pilots believe in the afterlife. You are safer when they don’t.”

— Muriel Spark / The Driver’s Seat

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got the shakes

Your Ten Favorite Holiday Memories (redux)

1. You are playing mechanized baseball: a ball bearing is pitched out of a hole, and the bat is a pinball flipper — and fwap! The ball bearing falls into one of a series of holes marked “single, double, triple, home run, and out.” There are vastly more outs than hits. Then you move on to submarine warfare: small plastic ships float out near the horizon line as you look through your periscope: you estimate position, hit the fire button on the handle, and BOOM! Down goes das boot!

2. You are the night’s confabulation. You don a Richard Burton affectation and on occasion you break out into song and dance, Al Jolson style, viz., a good Jewish boy doing blackface or something minstrel-like. Not to worry, you’ve run this through the department of psychological sanitation, and nothing that you do or say will offend, chagrin, or impinge upon a healthy state of mind. No, in fact, you shall be put through the “so called” ringer, and as a point of further fact you are wearing an Arab strap, and it will assist you in hitting certain notes with a certain meaning. No! No cause for alarm. This is all family friendly, PG rated, and sanitized for your protection. The buzzword to listen for: gentrification, collateral damage, enhanced interrogations, debt ceiling limits… the list is long, but you know them well. So without further ado…

3. You are Claudia’s kid — conceived at that apartment she and Terry lived in above the Garden of Eden Diner in Hoboken. Yeah, remember they were doing roadie work for Yo La Tengo that year, they even opened a couple of shows for them using the name of their first band, Rasputin’s Swim.

4. You are a case of the shakes, momma made the shake n’ bake. I got the shakes, momma made the chicken fried steak. I got the shakes, momma made the whole world quake — she’s got the power you know. I got the shakes, momma said she’s going away.

5. You are the doxology of reflection in a darkened alcove. God is in the alcove. God is in the house. God is loose in there. Who let him in? Did you bait him with cerulean cookies and sugar clouds? Now God’s rummaging around. Uninvited. Unwanted. What dolts you both are.

6. You are biddable in the execrable moments before the prisoner is executed. You are Richard Burton bombast, Shakespearean affectation a notch too loud and an eyelash too wide. You are the murmuration of starlings lost in the roiling chaos in that instant before banking hard left. You are the suppurations of wounds that don’t heal three weeks out. You are the gesticulations of the man without legs as the detritus and shrapnel falls back to earth and settles on the rim of the new-formed crater. You are the child transfixed with the sky as she traces the arc of the parachute bomb’s parabola on its ecliptic. You are.

7. You are last day of November: when ladies of idle lament, and big men with boxy jackets in swimming trunks, big trunks, salute portmanteaus in the streets of Deauville. You sing, “break up to make up, that’s all we do, first you love me, then you hate me, that’s a game for fools.”

8. You are lust unbound. You just want to kiss her, “please just let me kiss you.” She wants to smash you. “I will let you smash me. Beat me with that truncheon, smash me with that truncheon.” Then she broke the spell and hissed: “disrepute!” You lodged a complaint via computer, the one on the street corner, then you had enough. You stopped.

9. You are tornado thoughts ten seconds after the weather warning has been issued.

10. You are the shrieking instrument panel on the jet spiraling earthbound.

What I’m Reading:

“Memories do not obey the law of linear time.”

— Kathy Acker / My Mother: Demonology

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points are pointless

Rant-a Claus

Gustatory. Gestation. Genuflection. Generative. Gainsay. Can you guess, which, if any, of the terms above doubles as a po’ boy, a grinder, and a nuclear submarine? If you answered: “Birds on ice,” you win nothing but my heart. I’ve come to the point where points are pointless. Where well-thought out thesis statements are too hegemonic, where writing the well-constructed story is too formulaic, and where proper pacing, narrative arc, and “stakes”—stakes! for goodness sakes—stakes! Who talks that way about art? What are the stakes? What’s at stake for this character? When did art become a parimutuel endeavor? This has all become painting by numbers. Who is best at coloring inside the lines. Why is this ok? Why does this make sense? Why the rush to the normative-homogeneous? Why does everything a human do become subsumed to the capital imperative? Where’s the profit to be made? How do we monetize this? How do we get the most eyes on our ads? Let’s use this work of art as a conduit for our festooning advertising around it. Please. Stop.

What I’m Reading:

“The politicians and newspapers talk a lot about freedom but the moment you begin to apply any, either in Life or in the Art-form, you are in for a cell, ridicule or misunderstanding.”

— Charles Bukowski / On Writing

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magnificent penance & rainbows

Codicil 508

Due to a rave dissimilarity we wish to make everyone aware of the cure for ennui and the primacy of Papal Bull(y) pastiches.

Now that we have divulged our purpose we’d like to announce the distribution of cassettes, construction papers, pipe cleaners, and tubs of paste.

We will provide only translucent and glittery pastes—you must supply your own unicorns.

We’ll have glass shards spread across our pavements to keep things moderately interesting, and we’ve reserved the next five years of your life for this misdirected frame-up.

Please bring plenty of cassocks and short socks. We will provide the hair-shirts and scourges—although the more advanced among you may bring your own nail-embedded whips, rods and lashes.

We wish you years of magnificent penance and rainbows.

Yours,

The Papal Bull(y) Boys and Unicorn Inquisitors, LLP

What I’m Reading:

“You inspect the instruments
Of cruelty and touch them
In awe at the pride these men
Take in their line of work…”

— Charles Simic / “In My Church”

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comes from punk

The Best Stuff I Read This Week

“A storefront mission in a slum
Where we come together at night
To confess our fatal addiction
For knowledge beyond appearances…”

— Charles Simic / “Metaphysics Anonymous”


“Right now I am experiencing this split notion of time. Hopefully, one day that feeling will end and everything will be reunited, like in a story. Before writing, I should probably wait until these two days have merged together in my own life.”

— Annie Ernaux / I Remain in Darkness


“… war allows people to surpass themselves … As soon as you have tanks and dead people all around you, you’ll be able to feel alive, once more powerful, magnanimous, and generous to all the world.

— Kathy Acker / My Mother: Demonology


“I’m also very not interested in any of that materialistic consumption type stuff. I wear jeans until they fall apart, which I think comes from the punk rock, but also just years and years of not having stuff. Growing up, we went through periods of time where we didn’t have money, certainly not to a degree that a lot of people have had to struggle through. We weren’t worried about ever being homeless, but we had to move with my grandparents. So thinking about what you spend money on, and what it actually makes you happy, which also comes from punk rock where it’s just that kind of anti-materialism.”

— Matt Fantastic / The Creative Independent interview


“I’ve always written using set intervals of time as a kind of constraint, because I never really knew how to end anything. When you have a time frame, you know when it’s over. A day, a month, a year.”

— Bernadette Mayer / “Bernadette Mayer remembers Memory (1971)” / Artforum


“Sometimes we give them a hard time, the martyrs.
Look at you – we shout – with your tragic backstory
and your little legs and your incompetent veins.”

— Claudine Toutoungi / “Martyrs”


“Descartes, I hear, did his best philosophizing
By lazing in bed past noon.
Not me! I’m on my way to the dump,
Waving to neighbors going to church.”

— Charles Simic / “Sunday Service”

What I’m Listening To:

“And I’m drowning
In irrelevance”

— The Smile / “We Don’t Know What Tomorrow Brings”

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need more pageantry

The Antelope Compatriots

I’m a non-prohibitionist aide-de-camp. I’ve been involved with for over 30 yogurts.

There are severe showmen in everything, yet perfectionists need to survive year-end commiseration, imbibe elixirs, and grow their wattles.

The undredweight skier is heating this sect and some of the caged jaguars are newly loaded. In this season of giving, please give: thermoses, new blessings, countryman melons and non/perishable sealed footplates.

We need more pageantry, more saunas, pedantic electors, provisional barmaids, and newly shorn creep sheep, etc.

We need your dollars, not your presence.

You can drumstick off your dope on the upsweep between December 19 and December 27.

Please adze everything you can.

Thank you for your kitchenettes, tinkling pianos, and generosity.

Postulates are free to anyone who wants them.

With gratitude,

The Antelope Compatriots Committee in Decanted Repose

What I’m Reading:

“I don’t mean to get all
Parallel universey on you
But I am at once the spider
The spider web, and
Me observing them”

— Bernadette Mayer / “I Am Proactive Ephemeral Epyphytic Residue”

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the tuna satsuma

damn yam man

he’s the damn yam man—
dire—gets worse by the daze
a comma swiper,

a foothold grifter:
schemes the pearl butterflies
& dark alley lures
weighs the buttercup thesis
against his peppercorn life

he screams of unexpired
roentgen megatons—
names his fireflies by heart

he’s the tuna satsuma—
n.f.t. padre
he’s the implausible man.

What I’m Reading:

“If you practice writing constantly, you can start to speak in poetry form and so whenever you feel like writing something, all you have to do is immediately write what you’re thinking.”

— Bernadette Mayer / “Bernadette Mayer remembers Memory (1971)” / Artforum

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3 years ago today

A Rare Delectation (redux)

He woke up with the Spinners’ “I’ll Be Around” spinning in his head.  He had this dream 1,822 times since seeing their performance on that Saturday morning in 1973.  The gold and ruddy light of it.  The smoking jacket outfits on the group.  The dancers in a sea around them popping up sharp to the rhythm and then descending to the backbeat in perfect rubbery time.  The beauty.  The sheer joy of it.  The possibilities.  He never tired of this dream.

Feel good.  Incendiary.  

The sun was up like a burning bald head.  The brightness insisted its way through the gap in the blinds and past the scrim of his eyelids.  The Soul Train Spinners had been preceded by a nightmarish episode where he was caught out on the Ustyurt plateau during a violent electrical storm.  

He was the only living thing standing for miles, and as the wind lashed down on him, and the lighting cracked the sky into splinters that imbedded themselves in the rain and came homing for him like millions of tiny needles.  

Dreadful.  Noxious.  

He feared not for himself but for the congealed beef plov which was the consistency of dried cement and while he saw the individual pieces of mutton, carrots, and rice in the kazan he couldn’t get the spoon which was intractably stuck in the inert block of food to move.  He was two weeks without food.  And as an electrical charge exploded nearby he was full of existential angst like he’d rarely, viscerally, felt before; and in that howling  — in the egregious hunger — he heard the mellifluous voice of Don Cornelius introducing the Spinners.

Recurring.  Hope. 

The opening strains of the amber guitars and percussion faded up forcing the yowling plains of the Ustyurt into a pin prick spot of light that sparked momentarily in the “O” of the Soul Train neon sign above the Spinners starting their dance routine.  And as the clopping congas, violin glissandos and horns caught momentum, he felt sated.  He was momentarily content for the 1,823rd time in his dreams. 

Today would be one of the good days.

Hit play button above for video (3:43).

What I’m Reading:

“Writing itself is an act of affirmation, even of sovereignty. We confirm that we are human beings, that we are alive and making and breathing culture.”

— Joy Harjo / Catching the Light

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in a bedpan

More Community Emails @ N+8

Gasbag Radio (Price: free)

Posted by: Linda Marmoset in Other Jacks

I have a gasbag radio that I do not need. Unfortunately, it dogmas and doesn’t follow-through under beefburger strainer, but might be good in a bedpan. I couldn’t upload the actual pic, but this is basically it:

Annoyances, Communiques, & Deathbed Resignations

“This showroom is now open.
You will see the most complete collection
of debris fashioned into the necessary shapes.”

— Naomi Lazard / “Grand Opening”

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