This isn’t your house. You don’t belong here. You can’t come in here anytime you want and go in that room. The Muscovy duck eggs have failed to hatch — a marten’s been at them and taken some whole. My precious ducks: I feed them and chase them away as the whim overtakes me. My storks — not to return through the hole in my roof. My squirrels, running along the base of the house, imbibing their 32 grams of protein in their muscle milk. All is one raw manifold coming at me without pause, without distinction. I could have been in the shower when the ceiling collapsed. I couldn’t go to the funeral as it conflated with the unveiling. My daughter-in-law is my son; my son is my daughter; my daughter: the executioner. The executioner absconded with my ducks. Life is a proto-groats quorum forum. Life is full of strangeness and parthenogenesis.
What I’m Reading:
“The hug, the pit of the stomach, salivation— I convince the horse There are pleasures in being human.”
“The chicken truck passes with its load of small-brained misery.”
— Kim Addonizio / “Kansas, 4 a.m.”
“I am vulture-heavy. My stories are caskets filled with black feathers…”
— Diane Seuss / “Folk Song”
“Whenever I come across, say, a rat or a fox, and I meet its eyes, I can sense a whole cosmos behind them,”
— Olga Tokarczuk / “The Art of Fiction” / Paris Review
“april is the cruelest month etc. what remains? brian jones bones. jim morrison’s friend. jimi hendrix bandana. sweatband angel. the starched collar of baudelaire. the sculptured cap of voltaire.”
— Patti Smith / “picasso laughing”
“Now it is back, it is back much worse – this is in America. It is back so much worse than it was in the 80s. Because it’s become political.”
— Judy Blume / “Judy Blume: book banning now much worse in US than in 1980s” / The Guardian
“How did you go wrong? With only blind faith & a dead star left in your eyes, where’s North America?”
— Yusef Komunyakaa / “Night of the Armadillo”
“Why does this trembling
pull us?
A: Beneath the surface we are one.”
— Toi Derricotte / “Black Boys Play the Classics”
What I’m Listening To:
“But they say, ‘Write what you know’ Don’t know much at all”
“This is now. The last war on drugs was a war on fructification. It was fruit batty, it was fatty bruit. I fructified of the crucifix cross and I crossed my own path when I got there. I got there when the darkness overtook me and I wrote a novel without writing a novel word. I chose something golden that sunk my Atocha. I fructified in Dar Es Salam. I drive without opening my eyes on a a left turns. I sleep inside a mosquito infested tent. Tent on an assemblage of extracted teeth and pull nothing but the difficult out of a hat while rabbit munch grasses obliviously in the hallway. I pass summer away with the spring in your step and winter in the fog of your soulless fall. I scarify my soul in the humorless sun of a long night in a clean well lighted place which is a bullet ridden cafe in Lesotho during a monsoon month of dust and quiet whippoorwills. I prune leafy trees leafless, hot with fleas fleecing your sister’s sake. You said, “I got mine and you’ll be fine.” I said, “summer is sister’s fate in her shizophrenic haze in the strength of a weakness in her occipital lobe.” You say my comedy was sublimely written, like it was written in Sumerian script in a Mandarin world. I said, “ it’s analogue to a lime habit.” To which you plead, “let’s go to a limehouse,” moving your fingers in such a way that the air warps in pink swirls around your head and lights alternate in yellow and blue hues in your open mouth. The words you create signify tranches of truncheons and luncheons on the grass half naked in Roman reclines. A bottle of wine stoppered ordering the sky and a jaunty basket opened to the prying June moon jejune. Then you produce wildebeest and hyenas from your bloomer pockets — pantaloons full of cavorting beasties. I produce a floral array of helium filled hydrangeas from my waistcoat pocket while a Berlin zeppelin flies drunken circles above us. The man from the Maldives stands and announces the sinking of the Diego Garcia Islands. I sing the song of hegemony of the albatrosses and pelagic birds that abdicated when the penguins became kings of the universe.”
What I’m Reading:
“The world is currently on track for a rise of at least 2.5C. Based on what we have experienced so far, that would deliver death and destruction far greater than already suffered.”
— Damian Carrington / “Revealed: how climate breakdown is supercharging toll of extreme weather” / The Guardian
I scarify my soul in the humorless moon of a long night in a clean well lighted place—which is a bullet ridden cafe in Lesotho during a monsoon month of dust and quiet whippoorwills.
I prune leafy trees leafless, hot with fleas, fleecing your sister’s sake.
You said, “I got mine and you’ll be fine.”
I said, “summer is sister’s fate in her shizophrenic haze in the strength of a weakness in her occipital lobe.”
You say my comedy was sublimely written, like it was written in Sumerian script in a Mandarin world.
“You look around and they are teaching CREATIVE WRITING at some university. Now they think they know how to WRITE and they are going to tell others how to. This is a sickness: they have accepted themselves. It’s unbelievable that they can do this.”