lamé strait-jacket

fissure sophistry (flarfish #49)

the fissure for the half-
sister in the late 1940s
the recurrent gland
the lamé strait-jacket

where the nub meets the timber
she shows herself capable
erratically advertising
sometimes disappearing

the serviceman
the bookmarks
the timpanist
(again)
lived together
in common-layer
bas-relief

in some arms illegal
non-biplane propeller
flirting with woodcutters
then timpanist to timpanist

however
in the novella
(in the early bookmarks)
mr. melancholy
mr. teardrop
mr. interlocutor
marry and refuse a steady gland

a finch strait-jacket
is cold sophistry
a final appliance to charity

“Then I filled your drawer with
tight dark fists.”

— Jane Kenyon / “The Socks”

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the gutter beat

deus ex machina pt. 2

deus in the wings, taking hits off the fog machine, directs with shakespearean aplomb

deus as the hole in the sole of your quotidian shoes in the gutter beat

deus as the syncopation of your soul in 5/4 time—a blue beat among blue notes

deus as the sun ra arkestra in hyperdrive singing “nuclear war,” it’s a motherfucker, don’t you know

deus as the writing blister on your finger— the sweetest pain you know

deus as stan brakhage bubblegum—you chew chew chew ‘til your teeth go numb

deus as the usher who stepped away from lincoln’s box at ford’s theater

deus as the antediluvian methane seeping out of thawing permafrost

deus as another opportunity missed—exchanging sharp words with the stage manager

deus as your ill-lighted and out of focus photograph

deus snickering at his blackout jape—power cable in hand next to the light board

deus closing up shop and hanging his sign—away on holiday

“Sometimes nothing happens which means there is a crack that somebody lives in.”

— Carolyn Zaikowski / In a Dream, I Dance by Myself, and I Collapse

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in dim-light

deus ex machina

the deus ex machina falls through the trapdoor into the charnel house

the deus dramatic effect lost and centrifugal with a caravaggio thud

see deus roll among the sweet vinegar panhandlers

watch deus finish the hand cream to douse the smell of blood

deus in a goddard film works the chiaoscuro / a tenebrism / petrichor

deus in bombogenesis full of piss and vinegar spews

deus scumbles the rain-doused pines works the blur

deus in a peppery flourish works against the wet season cold

deus caught in the armature of the machina / ex-officio works union scale

deus doused in dim-light garlic butter reduction topped with sea salt

deus!
dreary dubious dulcet dungeonal!

deus escaped mental patient waxing ontological on black stone paths

deus relents / off stage / orders the curtain fall

deus in the jug and the red of the grapes

“As soon as the lid is closed, the corpse must breathe a sigh of relief.”

— Alistair McCartney / The Disintegrations

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you are special

Words of Advice

When you hit the wall, son:
Avoid obfuscation.
Eschew the picayune.
Think big, boy.

Pray every day.
Do right.
Go to church.
Go to work.

Bypass tontines.
Eat every toston that passes before you.
Stay fit and sober.

Do as I say.

“Don’t interfere in boy/girl fights.”
If you beat someone do it in the bathroom.
Blood cleans up easier from tile.

Stay away when I set your mother straight.
Don’t tally score when we beat you.

Your mother and I never lie.
Assume your mother and I lie.

Avoid working the sugar cane harvests.
Use sassafras leaves to keep flying insects at bay.

Ours are the best leaders.
Revel in cotton candy politics.
Believe in the sanctity of Richard M. Nixon.
We get the leaders we deserve.

Believe that you are special.
Know that you are a worthless disappointment.
Believe that you are superior to others.
Know that you are inferior to us.

Might and money make right.
Invest wisely.

Save time and money.

Say no to drugs.
(Ha!)

Always keep your gun loaded.
Never point your gun at your own head.

Be a team player.
Be a lone wolf.

Respect women.
You see I never pass up a chance to leer at one.

Be faithful.
As long as they don’t find out.

Don’t talk back.

Tip your whores generously.
Smoke opium with any and every governor you cross.

Believe in American hegemony.
Our drugs are the only justified drugs.
Our wars are the only justified wars.

Meritocracy forever.
Capitalism or death.

Always drive American.
Take care of your planet.

Don’t tally the score late in the game.
Don’t hate your parents.
Don’t beat or mistreat us when we are frail.

Remember everything we taught you,
Death will be upon you soon enough.

“A range of almost two octaves means
the devil has risen in you. My mother pressed
against a washing machine by a man
not my father. How can we learn by dissonance?”

— Jane Wong / “Microwave Beetle”

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a cackle unheard

Listen to My Last Word

This is crass
This is imagined
This is at stake
This is a day of wonder
This is a cackle unheard
This is illumined
This is dispirited
This is an eyesore
This is my last word
This

Over these last few years I have found that in the country of the blind, one eye is more than enough trouble.”

— Abdulrazak Gurnah / Desertion

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our full nappies

The Captious Email (Run thru the n+1 ~ n+15 Generator)

Hi X,

I wanted to context the menages of my grudge, so as to clarify which quilts we would be researching individually so as to avoid oversight. Not all the e-mailmen have our full nappies; I’m not 100 percent sure which ones to use or if it is appropriate to context one another outside zoom sextets with emails regarding astrologers. My undress is each growth’s memories antechamber quibbles their grudge posed, and we would disguise as a clavichord with your lead. Is that correct?

If you’re in my grudge and ream this, I went ahead and researched rhyming chapbooks for Grumble 2 as this was the quicksand I proposed. I’m attaching it here as it is quite lengthy involving some hobo excrescences, as well as current rhyming chapbooks and social media pogroms. I am also slightly technically challenged. ; )

Best,
Mermeh Mofungo

“The letters of your name fall asleep at their posts.
The dead vote in new members. Police declaw your books.”

— Ben Lerner / The Lichtenberg Figures

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pronounce ypres correctly

Stumped

Focus. Breathe. Here. Fuzzy wool strings. Lime green. Flayed solar flares encroaching empty space, like rabbit ears stumped. A loom undone. The Dardanelles. Where did that come from? Why now and here just before his interview?

He knew he’d obsess on this, on these, on that—the Dardanelles.

What was it? A battle, a strait, something from World War I?

He needed to be clear headed for his interview, the only serious follow-up during these difficult plague times. He really needed this job—but the Dardanelles would not stop plaguing him.

When the hell did I study World War I anyway? Was that in elementary school, or world history in the ninth grade? I certainly must have encountered it in Western Civ II in college. So many classes over the years where we started it out with heavy and thick tomes which we never got further than two-thirds of the way through. Lord, help me, what are the Dardanelles? What neural passages are misfiring in my head? I should be concentrating on my performance. Remember, play up the points of the portfolio’s diversification index, how you held over 200 million in— What? Why? The damned Dardanelles… those were months when he would choke me to the point of unconsciousness. And he beat me because I couldn’t pronounce Ypres correctly. God, those fucking burning welts. Who cares about the archduke? I don’t give a flying fuck about the breadth of the Ottoman Empire. What did I do to deserve the buckle-end belt beatings? What—Get it together. Focus. Here. Now. Breathe. You’re safe. The interview. The interview. Here. Now. Breathe. Deep. Center. Focus. Focus on that Ficus at reception. Breathe. Assets. 200 million. Diversified index. Emerging markets—Son of a bitch had a dreadful childhood, so he did the same for me? Dredged in civil dissimulation, but at home who got his fingers forced on the hot stove coils? Who had balloon hands and sloughed skin? Because of the Dardanelles. Ypres. The archduke. Focus. Here. Now. Breathe. You’re here, not there. It’s now, not then. Breathe. Focus.

“A grief-stricken square feels acutely trapezoidal.”

— Ida Vitale / Byobu

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in the shade

Octopus’s Garden

Mimosa tree secularity hit me in the solar plexus. Ain’t no gods going around making mimosa trees and atomic bombs in the same breath. Time and space are like the lint balls I fish out of my belly button each morning—always there without the slightest idea as to why. So I sing to my octopus. I keep her in a 75-gallon tank I keep as the centerpiece of my living room. She scuttles about in her sharp salinity across from the fireplace, next to the Basquiat lithograph and the Koons tchotchke. No this ain’t no Hirst-like reproduction of an octopus in formaldehyde, though like he did with that Great White, this is an honest to goodness Briareus I call Belinda. I thought of going with a Hapalochlaena lunulata in order to make nerve toxin broth to feed to my dates, but I ditched that idea. I just drugged my dates straight out—ether in the car, Spoorloos style—and fed them to my successive dates, Bar Jonah style. I gotta tell you life is a peach in my octopus’s garden in the shade.

“The America of my experience has worshipped and nourished violence for as long as I have been on Earth.”

— James Baldwin / Nothing Personal

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pick me clean

Rumbling

The field full of regular hours. The strain of exposure to sunlight stark and unfiltered. It’s got me down, debased, debauched, and drunk with stolen beatitude. The scarecrows keep me kin—and if cock robin is not in Caracas I’m illiterate and a fool. I was once king of the parking lots—a Chevy Chevelle SS/Mean Green/Buffed/Original Bench/454. Now I toil reading books—a dark a maw as any I can imagine. Nights of endless darkness, stars blotted out by the coal fires—there’s an endless vein of anthracite burning below. I mind the horizon line for the crows coming to pick me clean. I could buff chrome to a blinding sharpness on that Chevelle once, and now I watch for smoke coming out of monticules of a mean, mean earth. I am the master of what I survey, but keep the crows away of my sagging yellow skin. The days are no better than the nights on this tilted land. The land. It wont stop rumbling.

“The baby is born.
The baby is put in a toy car.
The baby drives to work.”

— Garth Simmons / Hole Punch

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documents were signed

The Pomp

Today I broke my vow of silence when I broke the glass in case of emergency. I croaked in a muttering fashion most embarrassing, “Ra… rah… run. Run! There’s a moth infestation.” We had moths. We were underground in our hermetically sealed glass boxes, and here we were with an infestation of moths. How was this possible? Had we not paid our alms, and made our ablutions in the appropriate manner? Had we not made cretinous burnt offerings—I was always against this affectation—pungent and breath-taking like good little pawns. For our troubles, for our conceits to our deity … we get moths! Was it worth breaking 137 days of silence over? Documents were signed, codicils initialed, an ascetic’s vow taken. The pomp. The sacrifice. Moths! What does this mean?

“He would open parentheses and not always find an opportune time to close them.”

— Ida Vitale / Byobu

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