ain’t making lemonade

The Joy Out (an erasure remixed)

Sometimes I wander about looking for some sensible
artful words to say—
I find
I scramble
in public domains—
I breathe life different—
not better or more artful
life into said words—

I suck the joy out

give you a bushel of moldy lemons—
you ain’t making lemonade out of—
you’re “making due.” (do do do do)

Let there be a day when frozen brown rice, shredded cheese, and raw unsalted sunflower kernels are government issued—sometime today.

See if you make a nutritious pablum
from an unpalatable bolus
and how it changes your life.
No one is pleading for joy—
everyone is looking to get paid—
It appears like this, inside this skull,
inside this skull, anyway.

oy

oy the wind
the oi wind
stalwart
flood me
rain
flash silver

i abandon
i
i desolate
stumble down
wild

Joy
by Clarissa Scott Delaney

Joy shakes me like the wind that lifts a sail,
Like the roistering wind
That laughs through stalwart pines.
It floods me like the sun
On rain-drenched trees
That flash with silver and green.

I abandon myself to joy—
I laugh—I sing.
Too long have I walked a desolate way,
Too long stumbled down a maze
Bewildered.

(This poem, “Joy,” is in the public domain. The poem originally appeared in Opportunity IV, no. 26, in October, 1926)

“and she wipes the weary from her eyes
still glued to the no-good
glued to the high-definition glare
of low-definition life”

— Jason Reynolds & Jason Griffin / ain’t burned all the bright

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the grind of

bifurcated tanka

bifurcated mind
•distortion•static•white noise•
nails rasp on chalkboard
the grind of plate tectonics
looping endless in my head

“Where are we running to, those of us who are so still?”

— Ida Vitale / Byobu

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exhaling all creation

Frida W.H.

My viscera holds all creation / a cornucopia at the edge of blur / all creation / the smudge
in my hypnogogia / I am exhaling / all creation / sugar skulls, tripe, & the pelt of the trickster
fox / or am I inhaling / yet upon my broken back / the fissure at the center of my pain / to live
through another moon day / the moon aloof admonishes / the fiery giant going cold on itself
/ on the burn to white dwarf

I hold the key to plate tectonics / to all phases of macrophages and mitosis / the faces
of the lost & the haunted / all this extracted in my tears / tears upon the golden mean canted / my
easel & two-post bed / frame & bisect me at the point at which I am already broken in two /
seethe cold center-heat of my being / nail screws & plates / amorphous as the primordial rock /
a sentinel on my moonscape

This is a recursive moon / myriad moons will blot out the sun / here with fowl plucked
indignant / among these worlds / this world superheating in its own greenhouse / I hold all
creation / I and I are all creation.

image: https://www.mutualart.com

“Here was peace. She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see.”

—Zora Neale Hurston / Their Eyes Were Watching God

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(more) interstices interstices

“Be a good steward of your gifts. Protect your time. Feed your inner life. Avoid too much noise. Read good books, have good sentences in your ears. Be by yourself as often as you can. Walk. Take the phone off the hook. Work regular hours.”

— Jane Kenyon

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showiness of ages

homebound habits

air hot & full of rancor / can’t breathe / the bestial reliquary open on my chest / body full of foul humor / a plague doctor nowhere in sight / fallow fields & mud / so much boot-sucking mud / skull encased in mud / the pressure of 10 andré bretons & 3 1/2 tristan tzaras / every other breath an exquisite corpse / pustules full / venom sacs stretched to leaking / my own worst enemy / uninhibited by the showiness of ages

“How do you know what you’ve forgotten? He knew only that he was a case of nerves between two eternities.”

—Arthur Krystal / “What’s the Deal, Hummingbird?”

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sweep of darkness

Condone / Condemn (i dag är det tisdag)

I have no idea what she says, or what tongue she speaks. She doesn’t speak English or Spanish, and that’s all I can muster. I haven’t the slightest idea of what she is up to, out in this perpetual gloom. But she keeps saying: “I dag ar det tisdag, I dag ar det tisdag, I dag ar det tisdag…

I must have an odd look on my face because her lower lip quivers and her eyes well up. I don’t know what I can do for her. I offer shelter. She doesn’t understand, just repeats the same thing. I don’t know how to help. I want to help. What is she, ten or eleven years-old? How can she be out here alone?

So I say “yes!” and give her a big old bear hug.

What else is there to do in this hard-dead world? We once contented ourselves with keeping our families safe and near. Those that were content, maybe had a close circle of friends (some circles were larger than others, some were merely small frayed arcs) — maybe we tithed and volunteered to read or feed others more needy — for some this seemed enough.

But we don’t concern ourselves with the wider world anymore. Is there a world anymore? We’re safe here. It’s all waste out there.

She doesn’t battle this bear hug and she stops speaking. I squeeze to give comfort. She evanesces. Atom by atom all that is left is air.

I’m left at the shelter doorway looking like I’m hugging myself — that is, if anyone were there to look. Who would, who could, in this darkness? I’m alone, wondering why I don’t do this more often. Hug myself.

I go back into the shelter and down the stairs to the writing room. I’m down to a ream of paper, a handful of pens, and two candles… but I must compose some lines…

I.

Did I hear it in a dream?
Or is it a long-distant memory?
I dag är det tisdag

A drooping of the eyelids in a sleepless
Moment
As you fight the sweep
Of darkness
Upon you. Only the whispered
Supplication
From the darkest corner
Of childhood
Releases you from penury.
Peaceful
Sleep never comes.

II.

I condone what you done…

In the wimple sun
I slapped away the wattle arm
Of the man that bred
Me to a hardened son.

I agree with your version
Of sublime reparation.

I condone what you done…

III.

Condone / Condemn

I dag är det tisdag

“But in a dream I don’t worry about touching you, ruining you in that way. In a dream, I dance by myself, and I collapse.”

— Carolyn Zaikowski / In a Dream, I Dance by Myslef, and I Collapse

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the old consumers

aground

…our own worst enemy in this dank sepulcher—made our beds—breathe our own discharges—drunk on permafrost tundra-seeping methane—make it hot—turn the drab orange heat dome up—breath impossible—so my name is hip-priest/king bombogenesis of the waning anthropocene—a wilt-dripping planet hotter than the pleistocene—scads of new fossil fuel made of the old consumers of the same—like the man sang many years ago—for here am I sitting sitting in a tin can far above the world planet earth is

what is that grey-green distended ochre mass?

who wrote this?

who ran this ship aground?

“Yes. Or you forwards and I backwards. The perfect pair. Like Dante’s damned, with their faces arsy-versy. Our tears will water our bottoms.”

— Samuel Beckett / All That Fall

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make it ours

Bully Boy Racers

Boy racers set
In Sevastopol—
Grandiloquence
& eminence—
On the blur frostway line.
Two, three,six,ten & o n e (last)
One.
Boom. Boom.
Vroom. Zoom
With a tambor & villainy.
Clearing out the country
Side. Who you with, sonny? Who
You with?
I’m with thee man
With the shashka
Out to strafe this land
Down
To the bedrock.
Aegean. Black. Caspian.
How’s that for an abecedarian?
How’s that for reach?
Remember the Atlantic
To Pacific boy racers?
Get behind the tank
& follow me down.
We gonna’ slap their hands
Clean of what they hold
& make it ours.
Take. Take. Take. ‘Cause
We can. Bully boy racer,
Bully boy, boohoo!
Manifest
Destiny. We’ve
Seen this B-4.
The bully boy
Ploy.
Always
Unjust.
Always
A
Deadly
Bore.

“I want someone who will stand on my shoulders and punch God in the face.”

— Garth Simmons / Hole Punch

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the smudged sky

Make it Rain

Blighted Maya
Hip-priest / king
Throttles the sacrifice.

Make it rain.
Make it rain.

Gutter scribe rails
Potter shards
Incomplete—

Make it rain.
Make it rain.

Ten thousand talons
Shear the smudged
Sky.

Make it rain.
Make it rain.

Cries from the deepest
Cave benight
A forest—

Make it rain.
Make it rain.

“just remember i didn’t always speak like this / i once glistened like you / like you / i am an apostate of the dust.”

— Lukas Bacho / “Semblance”

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time and detuned

1985 – 2022

The indolence of stay-at-home drinking. The lack of squeeze in this bottle. Pleased to meet me—pleased to cleft myself. I clean myself in the mirror…

It was sometime around 1985 and there were misdemeanors in my motherland’s poetry—misdeeds and pepper pot wonders around the circuit of couplets in search of a perfect end-rhyme.

My motherland was still in a training bra—in the process of becoming an anti-nowhere lecher farmer. Her beehive landings would turn themselves on and off at the most inopportune moments.

The hot chocolate boy was still a lone cocoa bean far from transcendence.

PW Botha was the “Villain of the Hour,” so a bunch of rock and pop stars insisted they weren’t going to play Sun City. Approbation. A video. A song. The right idea. Those were the yearbooks of politically righteous causeway views.

I was a mere eggcup in my motherland’s tabernacle—while my father was “bailiff enough” of the “most lost” of lost causes—together, they were the housemasters of a bureaucrat stomp so out of time and detuned that the state tacticians tendered resignations at the nearest cornershops.

But we are still here—in the kaleidoscope of plague times—still plugging away. And here we are now—still—unsupervised and undeserving of better.

“Soon I began to say black people and white people, like everyone else, uttering the lie with increasing ease, conceding the sameness of our difference, deferring to a dreading vision of a racialised world. For agreeing to be black and white, we also agree to limit the complexity of possibility, we agree to mendacities that for centuries served and will continue to serve crude hungers for power and pathological self-affirmations.”

— Abdulrazak Gurnah / Desertion

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