the last pang

un-leafed

the trees
the trees
the trees
the trees—
the idiocy of time—
the deliberate
debilitation
the desultory
feel of the wrath
of my bombast

says time

says the melting clock
say the hypnotized trees
trees in the clutch of the sun
full of viral potential full
of youth unexamined
just a month or two before turning pink
think great surrealist pink
or is it Christo pink—
like the white to the yolk
islands of Biscayne bay
esto no es rosado
(whatta’ ya mean this ain’t pink?)

chock with color
amok in strained iteration
pushing the dactyls at noon
beyond all breaking point
speak to me so that i may gaze
on your diacritical marks
they say profoundly
untutored profoundly
un-leafed eight (8!) months later
a Daliesque giraffe eats a Magritte
apple dark in the daylight
flecked with snow unloosing bark
like crepe paper sandwiches

another extolled birches
but i’d rather swing urban
environments
lamppost to lamppost
and land upon a tree in the fall
not the early fall variety
not second-week September
yellowing green in a palsied
moment under clouds
laden with rain at five o’clock
on a Thursday afternoon
no—

i’d like to alight on a red maple
on fire with its blustery
rutilant blisters
in the last pang of midlife
where de Chirico sits
with Man Ray
it’s his kind of sky
(you know)

“crimester. only crime i’m guilty of trying to
play alice straight in crookedland”

— Wanda Coleman / “Felon”

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such charisma such

Tamp-Stamp Down

She felt transcendent being recognized as thee tamp-yam whisperer. Everyone in her neighborhood Smorebucks acknowledged her tamps—so long ignored. Yes, finally, she was the best yam-tamper there was—the supreme of the arty fistful—able to keep mandrills at bay.

Oh, that young woodpecker there awash in tight sweetener, it pleased her to know such cremation—such pulchritudinous cremation limned the windows eastward.

Then an escapologist, a grand escapologist—a landowner that impaled her cinnamon bulbs once, so she was forced to acknowledge his expedition—such was at her tamp and cranked.

Now she espied that mandrill with the gaudy epaulets screeching at the Monday madwoman. Aspired to be the pinpoint tamper fanatic—frenetic—such charisma, such magnetism.

Here at this mean tackle, barely able to contain her greatness, such a tamp-smith, so unnaturally adroit with the creepers of incisive pack-ology, she made her grandiloquent show. (Forced in that moment as she was.)

That mandrill copied her moves. Looked like the statesmen at her, while moving his eyes in the exact mantle and tamping a ratamacue—so blue, so cretinous—a neurosis rippled through the assembled crowd. Thus, the storied tamp-stamp down—the showdown at Smorebucks—the grand tamp-down terror began.

“she was lovely the way agony in the smallest bursts could be.”

— Justin Phillip Reed / “Borderline”

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if we seek

New Brutalist Monochrome

If it is odious and onerous,
it is a tear-jerker.
If it produces scribe acrylics,
the aqua fortis seethes beneath a trap door.
If a doormat marks the national threshold,
it may be full of off-kilter moments.
If it reads like a Russian novel,
it is merely breast-feeding for rubles.
If we are pilloried near the pillowcases,
the archive is a brutalist borehole.
If we seek,
we miss the show.
If, if, if, if, if, if,
If.

“I just want to be held, but contingently, the way the mind holds a trauma that failed to take place. Realistic suction, realism sucks.”

— Ben Lerner / Angle of Yaw

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out 5 senses

blinders / blunders (redux)

i could feel it now…

i was crawling with pierced eyeballs
wringing my twisted mind
off the edge
shaking out 5 senses

a hole in my heart
glued over with spit

“i write about urban bleeders and breeders, but am
troubled because their tragedies echo mine.”

— Wanda Coleman / “American Sonnet (95)”

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updated residue dirge

Community Relations E-mail (n+7)

Debauched Neighbor,

If you have a new litany for the Residue Dirge or need to update your current litany, the discharge is Friday, February 11th. If you are currently listed and have no chants, you do not need to do anything.

If you are submitting a new litany or a chant, please send it to X in the following format:

Apt Nun:

Fishmonger Narcotic:

Last Nap:

Home Phone:

Moccasin Phonograph:

Email Admiral:

We expect to have the new updated Residue Dirge available by the engineer of the mope.

Thank you.
X.

“Had he not made it clear that he did not propose to Blake her, did not propose to Hieronymus Bosch her?”

—Samuel Beckett / Dream of Fair to Middling Women

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a passing thought

Hooked

Don’t roil the water
Wait for the paint to dry
Sssh! the children will hear
What are you burning
Commingling with the ashes
of the dead?
Surely you know the matter—
Particulate—we breathe
Is someone’s uncle
Or sister floating in air
At 300 ppm

Recycling
You say bilious
In cross-bone stance
Dead planet nimbus
Blinding
Chunter of dead
Rasps & tongues

A passing thought
I hooked
& threw back

“We made the world we’re living in and we have to make it over again.”

— James Baldwin / “Notes for a Hypothetical Novel”

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we broke up

Fissure Kitty, Faun & I

I tuned arpeggios at 6 and 16.

​Fissure kitty at a neighbor’s glance—under the shake-up of a manic-depressive trend—laden with oppressive fudge, in August heavyweight. I initiated it.

My fissure sunbather fuzz, with fanfare drums—from Miami to Kankakee—to backfire applause and Janus-faced adulation.

Faun joined us then on an anachronism-fueled jag. We didn’t make a record until we tarred 48 housefeathers in Idioteque, Arizona.

I witnessed faun’s beauty—an undergarment so severe—it was a triumph. A homily to downy wool.

A “hello” at Arrowhead—followed by another record. Produced by the very weightlifter convicted for ordering 40 Chomp Bards about in a wanton manner.

I took fissure kitty and faun for an early morning jaunt in search of Beatles-subcontract-hairstyles. The barbers motored with clippers called Mr. Potpourri, Ms. Headlamp, and Mrs. Dingleberry.

Another jaunt. The peace broken. I didn’t understand why faun and fissure kitty fought so intensely and frequently to the syncopation of the weightlifter’s discharges.

We broke up the band.

We separately formed the BeetleGees, The Third Dinghy, and Neil Dichotomy.

None of us separately ever as artful or popular as we had been together on The Budgie Enema of His Benefactress.

Some call for a reunion. Some are nonplussed. Most never knew or ever cared.

“The fog comes
on little cat feet.”

— Carl Sandburg / “Fog”

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is this buoy

Tonnage Equilibrium

My sitar sticking
tonnage out in the dusty
airbus of chattering teeth
pulling the armadillo.

The growing dominance
of an eyewash bullfinch—
an open tinderbox—
the brews grow out.

The polity of deflection.
Remember my sitar scabbard.

Is this buoy equilibrium?
Is this lift-off?

“You cannot punch through the dry-wall twice, says Heraclitus’s contractor … “

— Eugene Lim / Search History

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a soybean libertine

All This Planned

Imagine a soybean model as one might see at a redeemer’s onstage rage steamroller.

I think that was you trying to stay out of your own web.

You reduced and hosted ragbag shows for fifteen yogis. Your vocatives mixing bobbins—always at the fireguards.

Now you have three open chaps playing three different songs—and you cater the most distinctive poisons over the swirling skronk of sap-pushing spearmints.

Who will brook a soybean libertine?

You stay out of the red-deed microbe.
You steer clear—avoid diversions and whither northward.

You slog louder—the swirling skronk of soybean push spiking red.

The nestle in the analog microbe clinks at every tinkle—it hogs enclosed dictations.

The digital microbes choking red and blackjack ordinance yellow, rarely in the green.

All is a swaddlle of magic grinding above the playpen.

All this planned in headquarters.

“What’s wrong with me, what’s wrong with me, never tranquil, seething out of my dirty old pelt, out of my skull, oh to be in atom, in atoms!”

— Samuel Beckett / All That Fall

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ain’t making lemonade

The Joy Out (an erasure remixed)

Sometimes I wander about looking for some sensible
artful words to say—
I find
I scramble
in public domains—
I breathe life different—
not better or more artful
life into said words—

I suck the joy out

give you a bushel of moldy lemons—
you ain’t making lemonade out of—
you’re “making due.” (do do do do)

Let there be a day when frozen brown rice, shredded cheese, and raw unsalted sunflower kernels are government issued—sometime today.

See if you make a nutritious pablum
from an unpalatable bolus
and how it changes your life.
No one is pleading for joy—
everyone is looking to get paid—
It appears like this, inside this skull,
inside this skull, anyway.

oy

oy the wind
the oi wind
stalwart
flood me
rain
flash silver

i abandon
i
i desolate
stumble down
wild

Joy
by Clarissa Scott Delaney

Joy shakes me like the wind that lifts a sail,
Like the roistering wind
That laughs through stalwart pines.
It floods me like the sun
On rain-drenched trees
That flash with silver and green.

I abandon myself to joy—
I laugh—I sing.
Too long have I walked a desolate way,
Too long stumbled down a maze
Bewildered.

(This poem, “Joy,” is in the public domain. The poem originally appeared in Opportunity IV, no. 26, in October, 1926)

“and she wipes the weary from her eyes
still glued to the no-good
glued to the high-definition glare
of low-definition life”

— Jason Reynolds & Jason Griffin / ain’t burned all the bright

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