are the tornados

Quicksand

Together we will read and disinfect literature and curate augments about the purity of intention. We will wreck work that is not up to our values purity. We will be attentive to the hobgoblins of human imperfection we must strive toward purity. Always. We will burn the offending works and strive to drive out the poison mentality. We are the tornados of righteousness. Honor always, gentlemen. Honor always wins. Honor trumps love and understanding. We are the quicksand that will swallow them up and suffocate them. The human mind is a wound that needs triage. We are the arbiters by virtue of human declension. We are the chosen. Let us pray upon this and devise a way to suppress the fallible. We are the weapon. We are the smiting hand of the all-mighty.

What I’m Reading:

But we are professionals: we have to go on fighting till the politicians tell us to stop. Probably they will get together and agree to the same peace that we could have had at the beginning, making nonsense of all these years.

— Graham Greene / The Quiet American

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things: unconscionable things

The Endless Not (redux)

Dear C.—

Sometimes I have the ocean roaring in my ears, in my head—not the intermittent breaks and ebbs of waves on the shore, but only the crashes—crashes, crashes, crashes—on an endless loop for minutes, hours sometimes. A stream of white noise. Vision becomes strained, as if I were only seeing clearly through the spaces in a chain link fence. But much of this is going on without my awareness—and only when it becomes suddenly silent and my vision resolves, refocuses completely, do I become aware of what has just happened. Where did those minutes or hours go? What was I doing? Was I here all along in my room, in my car, in my office, this museum—or did I go somewhere else and do other things: unconscionable things, while I was out on the waves?

Best,

X

What I’m Reading:

Indeed, this is perhaps the most important question ever to confront culture in the broadest sense for let us make no mistake: the climate crisis is also a crisis of culture, and thus of the imagination.

Culture generates desires for vehicles and appliances, for certain kinds of gardens and dwellings-that are among the principal drivers of the carbon economy.

— Amitav Ghosh / The Great Derangement

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with our wretchedness

We Become the Planet We Kill

I get to bake the cellophane cake.

You are an insouciant acolyte of peregrinations plus, and you ameliorate my angst. You’ll find me a way to progress as a pilgrim that isn’t full of that old time religion. Then you’ll find me a way to plant a flag in Patagonia.

I tell you the farfisa is the garfish of spell correct.

You spell check me on the profane and change it to the divine.

No one is truly enthralled with conspiracists — our eyes on the mounds of flesh decaying while the landfills overflow with our wretchedness — we are all husks.

We become the planet we kill.

We are elaborate confectioners and puppeteers of malice (we are) — we add no value. We desecrate and fill morgues with dispatch.

You call me Angel, but you are a devil of a teenage hoodlum, hoodwinker, hood scratcher.

Sell me a Münchausen Syndrome by Proxy planner to keep the narrative slant.

Instead we Rochambeau thumb it for rock flautists: you get the Moody Blues guy spouting poetry, and I get the Jethro Tull tippy-toe psychotic. We’ll play it like it’s 1972.

What I’m Reading:

But how do we accept that the dystopian world in the latest sci-fi disaster film is actually going to be your grandchild’s future? Or that ocean acidification could kill off most marine life by the end of the century? Or run-away global warming will make 1.2 billion people homeless by 2050.

— Andrew Boyd / I Want a Better Catastrophe: Navigating the Climate Crisis with Grief, Hope, and Gallows Humor

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crochet synchronized heartbeats

Naked Preamble

Juana weaves her homily—one uprise after another, unaware that she’s at the precipice of her irritating anecdotes.

Jean believes he deserves his honorific—the one Juana refuses to use when addressing him.

Gaffes occur in a world ruled by impertinences and reverberatory prayers.

I wish to crochet synchronized heartbeats for them, but my literary physics is pockmarked with black holes—letters and syntactic marks swept up beyond the event horizon.

But hold on, this isn’t about the serial graphemic elements indicating syntax—no, this is about love gone awry. Misanthropy, misogyny, miserliness, and misery. The human condition paradigm.

So why the tangent?

(The tangential has potential, so we diverge.)

Now, Juana deconstructs Jean’s argument and shoves him in his place: You don’t blaspheme in here!

Jean retorts: Midriff-clavichords are the only way to go. Get behind thee, Satan!

Juana says: You know, I always thought clavichord should be spelled “clavychord”—it has a jauntier ring to it. It’s zingy and fun to say, say it with me “clavychord … clavychord …clavychord …”

Jean realizes his education was fraudulent. All is relative. There is no solid ground. Nothing to rely on. No exit.

There’s a naked preamble about the paradigm of the photocopier. Transient elation ensues.

One must imagine Juana and Jean happy.

What I’m Reading:

an unimaginable combination of food flavors
for people not ready to go home to their parents

— Aaron Tyler Hand / “Self-Portrait as Combination Taco Bell / Pizza Hut / KFC”

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in little sundresses

Meet The Beetles! (Redux)

Briefly, gentlemen, it has come to my attention that there has been an inordinate amount of “buggery” going on between you and our beetles. This will not do.

As of tomorrow at 7:00 am all those apprehended singing plaintive love songs to our collection of Coleoptera will be suspended for a minimum of one month and lose all member privileges.

Additionally there will be no more dressing up our rhinoceros beetles in little sundresses. This is not a carnival, good sirs! We are not puppeteers, this is not the Punch and Judy caper hour. This must cease.

And whomever is painting the brown beetles dayglo blue, you must stop immediately. Now the confused flour beetles are demanding to be painted fuschia and emerald green on alternating days.

Decorum, gentlemen. We are civilized men.

And stop it, stop it, with the little tank tops on the stag beetles! We are not infants. I expect these hijinks to stop immediately, but the culprit who has “toilet-papered” all our dung beetles may continue to do so on a biweekly basis.

Civilization is progressive, and we are exceptional, gentlemen. Carry on!

What I’m Reading:

I know. I’ll talk to
the wall and for once, tell all.

— Tom Clark / “Water”

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turned south again

Last Dose

Nothing enervates like changing midstream, he said to the garage walls, but we adapt.

William Katz, in the slipstream of placenta trip time, started anew.

Katz was 103 miles into his new life—the New England life he envisioned—when he stepped out into the heat and the hate of this particular August morning. He’d be out of Florida by midafternoon—but first, his last cafecito cubano and flan in his foreseeable future. One last stop in his accursed birth city and goodbye Miami! forever.

But the well-trod adage goes: careful what you wish, ‘cause the three fanged rattle snake has no compunctions . . . (well, it’s a well known adage in some arid places of the mind) . . . anyway, Katz was hankering for one last dose of Cuban sweetness before getting on with this next part of his life—so auspicious it was.

He could see himself making eyes at Medusa on Mount Katahdin, sparring with the Cyclops on the shores of Casco Bay, battling Scylla and Charybdis between the Quoddy Narrows.

He shook his fist in the air— you Canucks will hear from me!

Then a crystalline moment of clarity . . . Conch Key really isn’t such a bad place for placenta trip time . . . maybe I’m overreacting . . . maybe my Penelope waits there . . . patience, old man . . .

Then he slammed the cafecito and flan, pulled his pants up to his sternum, and turned south again.

What I’m Reading:

Sooner or later pain becomes too great for fear and when the people’s fear has gone the regime will have to go.

— Paul Lynch / Prophet Song

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action and reaction

Memorable Stuff I Read This Week

. . . we’ve gone over from the relative freedoms of capitalism to technofeudalism, in which those who control the platforms have direct control over the rest of us, reducing us to the station of “cloud serfs.”

— Leif Wetherby / “Think capitalism is terrible? This economist says it’s already dead.“ / The Washington Post


He spends his life 
Believing there’s another 
Standing on his own shoulders 
Looking out to sea.

— Stephen Kuusisto / “Dark Joys”


Governments, business leaders and development banks have two years to take action to avert far worse climate change, the U.N.’s climate chief said on Wednesday, in a speech that warned global warming is slipping down politicians’ agendas.

Scientists say halving climate-damaging greenhouse gas emissions by 2030 is crucial to stop a rise in temperatures of more than 1.5 Celsius that would unleash more extreme weather and heat.

— Kate Abnett and Simon Jessop / “U.N. climate chief says two years to save the planet” / Reuters


I SAID I LOVED YOU AND I WANTED
GENOCIDE TO STOP
I SAID I LOVED YOU AND I WANTED AFFIRMATIVE
ACTION AND REACTION

— June Jordan / “Intifada Incantation: Poem #8 for b.b.L.”


But for a New York cycleur, the ideal pace is neither fast nor slow. It’s a stately in-between tempo that allows you to scan the landscape, in Luiselli’s phrase, “as if through the lens of a movie camera.” Your trip to the grocery store becomes cinematic, a tracking shot that sweeps the skyline and street and sidewalk. You catch sight of the office tower stacked against the horizon, a pair of Chuck Taylors slung by their shoelaces over a telephone wire, a squirrel scampering out of a trash can with the remains of a bagel. You vacuum up shopfronts and signage, advertising slogans, graffiti, hundreds of faces, and hundreds more faceless heads bent over cellphones. A bicycle ride offers the best of travel by foot and by motor vehicle. You can take in the panorama in its blurry breadth or slow down to consider the details.

— Jody Rosen / Two Wheels Good: The History and Mystery of the Bicycle


The sun
dims its light
behind a morning
Times of cloud.

— James Schuyler / “In earliest morning”


There is no future point of no return, beyond which unchecked climate change will become catastrophic. That point has already passed. Conditions are already catastrophic. And the present is more and more dominated by the contours of this worsening catastrophe. What is possible now?

— Matthew Salesses / “If cli-fi acts as warning, and it is too late for warnings, what is the point? There must be another way.” / Lithub.com

What I’m Listening To:

Faces arrive
Like weather
Nose to meet you
Mouth to feel you

— Loma / “How Will I Live Without a Body”

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the intransigence biblical

… of ellipses & bovinity divinity …

… it was something about ellipses …

. . . to space them . . .

… or not …

… they decided not …
… but it was quite the kerfuffle …
… two bovine …
… cow & heifer …
… the intransigence biblical …
… the humors murderous …
… all bile & spleen …
… phlegmatic pops heard …
u cow!
u sow!
pig!
udder hanger!
… they stood ankle deep in effluvia …
let’s not fight any more, please
yes! from now on — every day, and in every way, we’ll be better, better, and better

… the aromatic smell of hickory smoked barbecue permeated the farm the following week …
… and nary a moo was heard …

What I’m Reading:

. . . muteness an onomatopoeia of the rising moon.

— Forrest Gander / “Ligature 4”

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thang a thang

dullard-boy blues

i gotta wap a dap thang a thang in my belfry
an a framework for nuthin
in my eyes ise got the bully-boy blues
& a highlight reel of murderous abandon
in my dullard-boy brain
i’se be living where reality
meets the fictions
& i’se fixin’ for a gun

What I’m Reading:

. . . I asked the wind to take care of my shadows, the shadows I had left in the streets of Gaza. I asked the cars not to run over my shadow.

— Mosab Abu Toha / The Things You May Find Hidden in My Ear

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edge of decay

Misbegotten Notes, USA (redux)

Scrolling down a number of superimpositions they multiply—pages of writing, collages, painting, films—audio also multiplied as reading and new noise fades in…

Also try flashlight projection of negatives or slides on wall and film it….

At the edge of decay (details: edge of pigeon…)

Multiple overlayered photos… build photo wall as u speak, cover Wooly shots with an innocent shot of childhood misconceptions

Use the writing done on Crispr Packs

Stripped down song like kg or tw

See photos in 2nd museum visit:

1. Like film “remains” very slow pans over dilapidated scenes, garbage, cultural detritus, read slowly over it

2. Like photos from “road journal” of torn pages revealing very little but enough of life story

3. Like dirt born “2nd History” rephotograph images of hoods and make them extended family, with narration hagiography over pix — and make documents or other artifacts like air mail mailers, maybe passaports etc

4. Make storyboards with pastel, cut-outs, pix, et al and animate it

5. Layer like contaminated “xy” & “stars” (no) and rephoto them as the final work

6. Repaint band aid packets for injuries suffered in childhood and equate them with the things I broke…

7. paint / sketch a real daddy doll with cut out clothes… or find a big unicorn rainbow second hand

8. Stones from different places visited and the ptsd inducing situations they mark

9. Copy and enlarge the word wall over and over until avatar of the turtle type of enlarged detritus and make wall of it

10. Tear pages out of book and paint something on it pertaining to you at Tim’s animal farm imbroglio

11. In-camera edited film: little bits and tips of crayons

12. Harumph!

What I’m Reading:

Every year, the richest American families receive almost 40 percent more in government subsidies than the poorest American families.

— Matthew Desmond / Poverty in America

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