guilty breath lock

pantoum(ish) death breath

guilty bait
lock breath
death

guilty breath
lock bait
death

death lock
bait breath
guilty

breath lock
bait death
guilty

lock breath
bait guilty
death

death bait
guilty lock
breath

breath guilty lock death bait

breath bait lock death

bait breath death

death breath

death

bait

This is fall in Jamaica Plain, MA, on 10/24/2021, at 8:30am.

“I tend not to think about readership. Instead, I think about a reader, the person I am trying to communicate with, but I don’t have the idea that a lot of people are ever going to read anything.”

—Ada Limón / “On Making Work that Matters”

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in my neighborhood

We choose a mantic thanksgiving—dark and steep…

We live as prelude to the mother of all bloodlettings…

We jockey frenetic prayers—glean sources—Sleep the sleep of strangers …

Ghosts in your house—Live through your eyes—live your memories…

The wizard of siren calls—calls you to gloom—cries: kiss me, kiss me, kiss me—I offend no one but you.

“In our home here by the sea we will not last much longer. The cold and the damp will certainly get us in the end, because it is no longer possible to leave … “

— Lydia Davis / “A Natural Disaster”

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do come in

Ginger Snaps

I remember Ginger brought us,
on New Year’s Eve 1980,
the Vermonters:

“lunch on you, keep the hand and suck this bony one”

you filled the point with wire and spine
button Night into Line

from a short not-quite five-year old girl
open to you and smiling on the doorstep

bearing a red cloth look
against the snowflakes falling

you delighted the look ready for
our do-come-in

We take our time warm up for the dancing, eyeing the coats, boots, scarves

four to six bricks, red flakes
the kids catch on their tongues

pleasure on a holiday night, the performance,
the concrete walls the joy the children

They call out, appear to flag,
They rally, and we descend

underground to feast
Everyone has two slices of little ones

We toast the New Year one last time.
The year opens to the girls in velvet

We could still hear their titters
where we sat Hungry from the search

The children grow
One of them sprouts in our back yard,

a farewell designed to be memorable
and for a new life in the desert

“… I am naked as a tablecloth, my nerves humming.
Close to the fear of war and the stars which have disappeared.”

— Frank O’Hara / “Music”

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the ocean roaring

The Endless Not

Dear C.—

Sometimes I have the ocean roaring in my ears, in my head—not the intermittent breaks and ebbs of waves on the shore, but only the crashes—crashes, crashes, crashes—on an endless loop for minutes, hours sometimes. A stream of white noise. Vision becomes strained, as if I were only seeing clearly through the spaces in a chain link fence. But much of this is going on without my awareness—and only when it becomes suddenly silent and my vision resolves, refocuses completely, do I become aware of what has just happened. Where did those minutes or hours go? What was I doing? Was I here all along in my room, in my car, in my office, this museum—or did I go somewhere else and do other things: unconscionable things, while I was out on the waves?

Best,

X.

“And now here I was, a first person singular. If I’d chosen a different direction, most likely I wouldn’t be here. But still—who is that in the mirror?”

— Haruki Murakami / First Person Singular

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in minuscule handwriting

trepanation in the land of bilk & money

who drilled a hole in the front of his own skull to increase brain blood volume?
& allow the full heartbeat to express itself inside the cranial cavity a column of fire
midnight ’til dawn rain fire after the defeat of los aztecas the spanish forbade
pagan idolatry ceremonial mushrooms montezuma ii saw the stars of mamalhuatzil
& images of fighting men riding on the backs of animals resembling deer caught by fishermen
a two headed man tlacantzolli mirror on the crown of a bird running the streets
simply to ward off cold ward off heat the touch of flies/mosquitoes/wind/sun/reptiles
deserts at one time inhabited by thousands of ascetics hermits anchorites
solitary confinement inside a cell adopting lifestyle of a beast abandoning personal hygiene
self-inflicted pain voluntary suffering hedonism that views moral sexual restraint
as either unnecessary or harmful i wrote in minuscule handwriting on a continuous roll
paper i rolled tightly placed in my cell wall to hide a fifth person in and out
of psychiatric hospitals due to unspecified disorders a new generation born
of the legacy of the cinema of transgression : underground cinema transgressive art
found footage controversial matter surgical footage psychodramatic performances
physical interventions into the material film stock i retire to the eighth-floor cafe : the terraces the lines of comfy leather couches the explosive ordinance disposal market bomb dispersal units robots & specialized tools

“On my daily walk, I steal Meyer lemons from my neighbors’ yard,
a small pomegranate. Instead of eating them,

I observe their casual rot on the kitchen counter,
this theatre of good things turning into something else.”

— Aria Aber / “Waiting for Your Call”

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in my neighborhood

“Someone shot nostalgia in the back…”

“Someone shot our innocence…”

“In the shadow of his smile…”

“Who killed Mr. Moonlight…”

“Extracting wasps from stings in flight…”

“Who killed Mr. Moonlight?”

“All our dreams have melted down…”

“As the moon has all our brushes…”

“There’s no expiration date on the resourcefulness of greed and cruelty.”

— Joy Williams / Harrow

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i long for

In Bullet Absentia

Avernal Pumpkin Head the all purpose gossamer failure genuflecting in the wind: I am an American by birth, an atheist by choice, and a drowning man by design. I walked the plank between good and evil. I’m not an alien sex fiend but a paunchy pirate in bullet absentia from the wind and the rains—and the blueprints for plate tectonics and monster mechanics of the spherical planetoids. I can’t agree to disagree—I’d rather shoot you in the Id. I need your longing. I long for your need. I trap a shadow of your patina—a pity in the putty of pubescent pentacles and pugnaciousness. Your pulchritude is pungent—and somehow plangent simulateously. I’ll elaborate on the footnotes. Please call at three.

“Well, I suppose the thing that most helped me in my early days of trying to figure things out was not being driven by the need to succeed. And it maybe just came out of the era and the proximity to the punk scene, but I really didn’t give a shit. I wasn’t afraid of failing … I just didn’t seem to care, when I launched into something, whether it was going to succeed or fail—and the lack of fear of failure is a great tool. It’s a great aid. It helps one move forward if one doesn’t care if one falls flat on one’s face.”

— Danny Elfman / The Creative Independent interview

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minute of elation

Elation in Elisions

The odious neglect of the scab Crab Nebula yelling: I Zimbra, I Zimbra, dada, dada, dada, doo! At the Cabaret Voltaire after hours parties degenerate into clean well lighted chess matches in top hat and overcoated teas with perfectly dictioned inflections and timbres of sonorous dejection odes to propriety. No one moves as Breton enters—trailing Leninisms and Trotsky ice picks, well before the weapon was chosen in dim back alley Mexico City. ¡Viva la huelga! ¡Viva la huelga! Tzara cries out—he’s Romanian of course, but he knows Breton has a weakness for Spanish. No one strikes, but they are all stricken with peripeteia and aposiopesis—walking in circles and leaving things unsaid. There is a full minute of elation, some confusion about elisions, and then someone dims the lights.

This is fall in Jamaica Plain, MA, on 10/17/2021, at
8:48 a.m.

“Everything from porn to nonexistent WMDs can be sold to us because we are perfect receptors for dada poetry, made pliable by a relentless history of nonsense and nonstop pitching.”

— Andrei Codrescu / The Posthuman Dada Guide

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the the: dadaismus nihilismus

the the (the voiced dental fricative version)

“… a Dada life will include by definition pranks, buffoonery, masking, deranged senses, intoxication, sabotage, taboo breaking, playing childish and/or dangerous games, waking up dead gods, and not taking education seriously.”

— Andrei Codrescu / The Posthuman Dada Guide

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officer shot her

turn on the news (blackout #101421)

police officer killing
time

shot women dating
when they returned home

officer shot her
chest

dead relationship
expected

“… I’m definitely not interested in this idea that there are blank issues, like women’s issues or black issues. If you are really good at hurting black people, you will indeed hurt the environment, I promise you … it’s true. If you are really good at hurting women, you’re probably also interested in war — I promise you.”

— Jericho Brown / “Small Truths and Other Surprises”

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