the closed circuit

Flooded / Parched

The things that were deleterious to her health were the things she enjoyed most in life. She found her life an endless set of binary “yes or no’s”—multivariate options always at the “0” or “1” click or the “on-off” surge—so that her neural pathways were rutted at all the same intersections. Well-worn and smooth were her decisions—overwhelming were her proclivities. She lived in an endless feedback loop, constantly depressing the dopamine/serotonin levers for exultation/equanimity as required. But these chemicals, foods, people, and experiences were no longer keeping her buoyant in a dying world.

One night, in the blue redeeming light of a hitherto unknown messiah, she realized she was trapped in the closed circuit—endlessly lapping. So she wrote a note:

June 8, 2050

I am 66-years old. Today is the day I decided to become a suicide tourist. Switzerland is one of the few places left in the world where there are a handful of trees left and it is still remarkably affordable to “off” yourself—or rather have someone administer a fatal soporific—while you watch the muddy eddies of Lake Geneva. I won one of the last Poweball lotteries in the Northern American Republic in 2048, and am able to afford the check point crossings and one of the last international flights east to Europe. Western approaches are prohibited by the New Sino-Asiatic Empire, and for the mere price of $2.8 million I can afford to spend the last dregs of my winnings watching the last bit of organic potable water dry into a puddle of mud while listening to the cries of the starving masses on the other side of the ramparts. Nothing has grown in the dead equatorial regions of the world for the last dozen years, and after the space programs all crashed and burned after the Jericho Trojan in ‘46, it’s all gone to hell in a handblender. Just on the secure ride here I saw hordes of hungry “old worlders” feeding on a dozen African migrants drawn and quartered at communal troughs—something designed by the New Ordination, don’t you know—still an ingeniously evil lot, they.

All the ice disappeared in ‘48, earlier than projected… anyway, in this all too brown and sweltering world… what hasn’t flooded has parched…

The simple pleasure of having classic Sigur Ros piped straight into my ears as I munch on a bacon maple doughnut (my last request—it cost a cool $66,000 to procure the ingredients and have it made at the Quietus Centre) is the last thing I’ll taste and remember I am told. Although, how do they really know?

I suspect my neurons will fire a few more hundred times as I ebb into the implacable darkness and who knows what synergetic effects I may experience…

Perhaps mother’s Chanel No. 5 in my nose again, but she’s long gone and poses no danger to me now—oh how she poured those bottles down my filthy mouth. Maybe grandma’s flan as she shoved the spoonfuls in my mouth, cracking my right bicuspid as she screamed: “eat it bitch, the kids in Ethiopia have nothing! Didn’t you hear the song?”

Maybe I’ll taste one of dad’s White Castle burgers — the ones he brought home at 6am, when he returned from his overnight shift at the steelworks and fed me while I was still half asleep—and made believe I didn’t feel him fondling me as the smell of minced onions commingled with the stench of dried sweat and coal fires.

I don’t know if the doughnut was the best choice, but it was all my own and unmarred by the history of violence. Well, the violence I tasted with my… wait, this is… this is it… is this it?

What I’m Reading:

“That is exactly what literature is like. As we write, we know that there is something very important to be said about reality, that we have this something within reach, just there, so close, on the tip of our tongue, and that we mustn’t forget it. But always, without fail, we do.”

— Eduardo Halfon / The Polish Boxer

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why don’t people

Press Play for short film SQUALL (1:33)

SQUALL

The long winter was the cause.

He hit the snow plow driver with a shovel. He cut the man’s brow deeply over his left eye.

A neighbor said:

“Incidents like this don’t usually occur in this neighborhood.”

Another said:

“With all the problems in this world—the war, the terrorism, the plague … why are we trying to kill each other over moving snow properly? Why can’t we all get along? This is not that type of neighborhood. This is the safest city in Massachusetts. Why don’t people think about what they’re doing?”

A third neighbor said:

“What I fear most is that there are two more storms on the way. It’ll only get worse before it improves. It’s really just a matter of time.”

What I’m Reading:

“Anyone could be an idiot or a jerk, separately, but the combination of ignorance and meanspiritedness—that was special.”

— Jean Hanff Korelitz / The Plot

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first world cavils

Raft of Tires

Let us go then, you and I… Like a patient… lobotomized with Trotsky’s ice-pick. Let us go, through certain half… dim back-alley Havana streets where “los gusanos” dare to meet—away from the teeth of the revolution. Let us count those that fled, let us count those that are dead, upon the tires and detritus taken by the gulf stream…

That was all she managed to write before she wrote: the hell with this and left her pen upon the sheet—atop the desk flecked with underwater light as the sun sickened and dropped to its nightly torpor. Here came the darkness and all she had was a useless page, a throbbing writing blister, and bare feet on the cool granito floor—dusty in patches, and littered with small particles that she couldn’t see but felt like tiny talus fields at the edge of her desk. The nightly ceremonial firing of the cannon from Morro Castle snapped her out of her stupor, and soon she would hear the drunken pelotons of tourists making their way through the street out front—with their old city cliches and their first world cavils.

There were many nights she wished she could have gone with her brother on the raft of tires and taken her chance on the vagaries of the Florida Straits—especially now—that his escapade had resulted in her eviction from so called privileged housing in the Old City. She, again, attempted to make her mother’s style of lemonade out of this harsh cask of lemons—so she reasoned that she would no longer be kept up nights by the drunken Europeans’ and Russians’ tone deaf renditions of the folk songs they heard every night on vacation—and that she’d no longer be subject to the leers, propositions, and manhandling by these “elites” that humanity kept flying into the island. Maybe her aunt’s place in Pinar del Rio would be a quiet and more productive place to translate Modernist poetry into Quechua…

What I’m Reading:

“The ice cubes were melting. The species were dying. The last of the fossil fuels were being burned up. A person collapsing in the street might be collapsing from any one of a hundred things. New things to die of were being added each day.”

—Sheila Heti / Pure Colour

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way of disengaging

You Think It’s OK For You

I’m lost without a clear linear narrative upset by temporal disjunction and chagrined by jump-cut edits. I have no way of disengaging from this nightmare. I’d just like to fall asleep. I’m certain this is the devil’s work, and the devil doesn’t speak in lap dissolves or imminent fade outs.

What I’m Reading:

“I do not want films to show, as in existing documentary (the only direction film has taken to free itself from photographed drama) but to transform images so that they exist in relation to the film only as they flash onto the screen …exist in their own right, so to speak.”

— Stan Brakhage / Metaphors on Vision

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of ruined trajectories

Cur

Curved cortices,
consciousness of the othered,
you lack in your miles
of half-smiles and squander. Incisors
bared, inward-turned, glint
slick with palaver strings—
as sibilant missiles cut
involute trails into a sky
of ruined trajectories. Growling cur
restive.

What I’m Reading:

“But there was so much more hate than any of us had the capacity to understand. Hate seemed to spring from the deepest core of our beings. Years later, all you had to do was peep through a peephole and there it was for anyone to see-a whole world of vitriol, entirely without end. It seemed that rage was what we were made of.”

— Sheila Heti / Pure Colour

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then a crash

Happy House

— install threshold

4/10
Called at 3:41 when banging/noise began and apprised X., but as it stopped after a couple of minutes (and hoping it wouldn’t recur) I suggested I’d call back when it started again.

— test stain on floor

6:57pm continued thru 7:11
Spoke with X. again. He said he would call them, and I assume he did because it stopped after 14 minutes.

— scrub kitchen floor

4/12
1:43 pm continued thru 1:46
Spoke with Y., and suggested to him that maybe a parent was indisposed and that I would call again if it went on longer—it stopped while I was speaking to him.

— caulk shower holes

4/13
Started at 12:55-12:57pm, stopped before I called the desk. Again 12:59-1:01pm, then stopped. Did not call.

— connect electronics

4/23
Called Z. at 12:56, after a couple of minutes of same noise it stopped at 1 pm.

— bookcase lights

4/27
A couple of minutes of the noise and then a crash. It stopped.

— clean/paint balcony divider

What I’m Reading:

“… in every human there is both an animal and a god wrestling unto death.”

— Lauren Groff / “Annunciation”

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of moving backwards

Tzompantli

The impression was one of moving down, of moving backwards, in life…

BEDROOM
96 high
82 wide (83 wo baseboard)
24 7/8 deep from baseboard
(25 w/o)
-no wings
-1 1/2 inch top lip
6’8″ (80 inches) of rod space

… they called these types of apartments “railroad flats” or “shotgun apartments.”

HALL
96 high
27 1/4 wide
22 1/4 deep
1 inch top lip
1/2 inch left & right lip

The building seemed like an architectural relic from late in the previous century…

Entry
96 high
130 wide
(64 to partition; & 2nd 64 1/2)
25 1/2 deep

… think of expressive writing as a life course correction

Loveseat
Back height 29″
Arm height 23″
Seat height 16 1/2″
Seat depth 26 1/2″

… if you’re distressed about something …

Side tables 23 1/2″

… set aside three to four days to write for 15 to 20 minutes a day about it…

Oil based putty

Oil based pen poly/minwax

Go jogging. See a therapist. Go to a bar. Go to church. Build a tzompantli in your mind.

image: wikimedia commons

What I’m Reading:

“Some things happened to me in my formative years that I don’t want to tell you about
but some things happened to you too.”

— Hedgie Choi / “Salvage”

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make it stop

Skronk Tectonics 3: Pesadilla Verdosa

Did you notice you don’t stop ‘til you really stop?

What does that even mean? Panta said.

Well, Moira said, imagine a bunch of barking dogs or cats meowing to Jingle Bells, it doesn’t stop in your head even when it stops in real time. You’ll never rewire those synapses to do anything else; they’re forever programmed to bring those dogs and cats back in moments that you least expect it, or want it. Forevermore, those neural connections will do nothing else, those electrochemical passageways will do nothing but wait in ambush to bring it back at inopportune moments.

It sounds like you’re describing PTSD, Panta said.

I’m describing a bad dream. A greenish and sick nightmare. No more. Make it stop.

What I’m reading:

“My whole process starts by free writing dialogue. Before I even have characters. I’ll write a sentence that has some traction for me. And then I answer that sentence.”

—Vanessa Veselka / The Creative Independent interview

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in this corner

Bray of Winces

S. understands nothing. He tries, squint-eyed, to turn his brain over. Without spark, the ignition doesn’t catch.

S. sees himself, monochromatic, on the screen of his childhood 1974 Panasonic. He’s talking globular in a rectangular city. He makes connections obliquely — only in transient bursts. He needs raiment for the soul but finds defenestrated appliances and tatters in mounds in their stead. He walks a bray of winces in piles of miles of monticular hunger. Nothing for the stomach and nothing for the next life. He quanders in squandered lines of obtuseness. A sign up ahead reads: “Squelch and Skronk, $2.99/lb.” He makes a beeline for the whole ball of wax — a hive of astute astringency on loan — from a god lost in this corner of the universe…

He’s lost in the reticular coldness of the attenuating picture — a cathode ray tube snow (fuzz from his childhood in 1974) and a muzz of voices echoing from the exhaust vent above his head. He’s one with the toilet seat now, one with his pins and needles thighs, and uncomfortably prescient.

He continues his note: … all will be needling shit this new year… Happy so and so… New Year so and so…

“Screw ‘Auld Lang Syne!’” he says. “Screw Robert Burns?” he says to his reflection in the mirror.

And some person outside his hotel room door — which is disquietingly close to the bathroom door (for hadn’t he last night passed one door where he swore he heard a fugue of wet untethered flatulence, and walking by another door heard wretched retching and moans?) — why did the man outside his door continue saying “hogmanay” this and “hogmanay” that, and what was that infuriating accent?

S. understood nothing.

What I’m Reading:

“The croaker lives out Long Island … light yen sleep waking up for stops.change.start … everything sharp and clear antennae of TV suck the sky … The clock jumped ahead the way time will after 4 P.M.”

— William S. Burroughs / The Soft Machine

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with the flow

Skronk Tectonics 2: Circulatory

bleeding we trend
with axial failure
right with the flow—
infrequent doses—
in an effort to decrease
patients
irrespective of their
discrimination.

a bridge

to a destination gray—
for whom is made 28%
heart—
with a system 44%
time.

only 9.8%
decision pump.

What I’m Reading:

“It’s true that the world was failing at its one task—of remaining a world. Pieces were breaking off. Seasons had become postmodern.”

—Sheila Heti / Pure Colour

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