gloaming comes on

dogma puzzle

an elegiac dogma puzzle

a threnody absurd & atonal

life is: fuck fuck fuckity fuck (not sexual)

so often dark dark darkity dark (terribly dark)

enjoy the respites, enjoy the ephemeral—

the transient transits of sun

the sun sun sunny sun sun (succoring sun)

the gloaming comes on quickly

a waxing crescent turned inside-out

the sun is a dying star

What I’m Reading:

“The night was darker. The moon had turned over on its side. A night bird sang in the bluest distance.”

— Joy Harjo / Catching The Light

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be the signified

A Stiction Fiction (redux)

“You fill me with stiction.”

“Friction?”

“No. Stiction.

“Shouldn’t it be inertia?”

“No, stiction, damn it!”

“Sorry, I don’t know what that is.”

He was filled with a horror and a hate so acute at that instant that his fist automatically clenched and his arm seemed to move autonomously driving that clenched fist to an inexorable meeting with his brother’s face…

The author’s stream of thought is broken here, and a lyric, and then a deconstructed thought impinges:

Anger is an energy. The certainty of reason is a tyranny.

Speak in aphorisms. Think in signifiers. Be the signified.

And so the author continued on another string. The nascent narrative broken…

“You fill me with inertia.”

“There, that’s more like it.”

“Like what?”

“Like what I like.”

And then unable to completely gather their wits the author’s work and discipline was irretrievably disrupted, and they were done for the day.

What I’m Reading:

“… I belonged to my mother
six hours west and only left
once a season
for the purpose of daddy laying his belts and
depression on me.”

— Courtney Faye Taylor / “Visitation”

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zero zero zero

Woodpecker Sentinels

Fishwife come, fishwife served.
The Moon’s components spatial,
Sunward-facing, a constraint—
A stationmaster of flux.

Asteroids lightweight & streak—
Chockful of RNA stuff &
Vitamin B3 residues—
Dash the black void.

Fishmonger plumbed, fishmonger unnerved.
Woodpecker sentinels
Pound out a binary syncopation—
One, zero, one, one, zero,

One, zero, zero, zero,
Zero.

What I’m Reading:

“If grief is love with nowhere to go, this is 
my mouth turning into snow. 
This is somewhere.”

— Allison Benis White / “Description of Symptoms”

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design of distraction

image: william swainson / “leilus occidentalis” / zoological illustrations volume 3 / 1829 / in public domain

Combustible, Not Tractable

There wasn’t any friction during the Mother’s Day conversation, except about the use of capital letters and hyphens—there was a heated discussion there. “Excessive uses! Much too much!” one of us said.

Hang up.

There is no equitable fashion. There is no forgetting.

I wrote nothing by design of distraction. By watching Python and reading Pynchon; reading Dreiser and watching Dreyer; then watching and reading W. Herzog all day long. Nothing but “this” at the eleventh hour.

How do we stay safe in this combusting world?

How tired are we of being cooped up in our minds without viable alternatives?

This is better than nothing—I did kill 5 or 6 moths today.

They just keep coming.

I broke my vow of silence when I broke the glass in case of emergency.

I croaked—in a muttering fashion most embarrassing: “Ra… rah… run. Run! There’s a moth infestation.”

We had moths.

We were underground in our hermetically sealed glass boxes—with an infestation of moths.

How was this possible?

Had we not paid our alms, and made our ablutions in the appropriate manner? Had we not prostrated ourselves, made (cretinous) burnt offerings (I was always against this affectation) pungent and breath-taking like good little pawns?

For our troubles, for our conceits to our deity—we get moths!

Was it worth breaking 137 days of silence over?

Documents were signed, codicils initialed, an ascetic’s vow taken.

The pomp.

The sacrifice.

Moths!

What does this mean?

image: john case / the angelical guide shewing men and women their lott or chance, in this elementary life / 1697 / in public domain

What I’m Reading:

“I have not eaten cake since my sixth birthday. My lifestyle factors predict I will live at least 120 optimal, cake-free years.”

— Tom Ellison / “I’ve Optimized My Health To Make My Life As Long And Unpleasant As Possible”

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the pivot point

Outcome

when you’re on the knife’s edge
you breathe
when you’re on the pivot point
you’re mindful
when you’re at the fulcrum
there is a binary
outcome

which way do you turn?
where does this go?
how does this end?

What I’m Reading:

“Some blind girls
ask questions of the moon
and spirals of weeping
rise through the air.”

— Federico Garcia Lorca / “After Passing By”

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why the waste

The Best Stuff I Read This Week

“What would I do without tears,
I used to ask myself in another world.”

— Patricia Jabbeh Wesley / “Healing Will Come: Elegy after Nartural Disaster”


“A new disease caused solely by plastics has been discovered in seabirds … The birds identified as having the disease, named plasticosis, have scarred digestive tracts from ingesting waste, scientists at the Natural History Museum in London say … It is the first recorded instance of specifically plastic-induced fibrosis in wild animals, researchers say.”

— Helena Horton / The Guardian


“… the more I pared my prose to reach 100 words, a different kind of storytelling presented itself. The art of brevity. The art of excision. The art of compression. The art of omission. The art of spaces and gaps and breaths. The art of less.”

— Grant Faulkner / “Addition by Omission: An Interview Grant Faulkner by Curtis Smith” / JMWW


“… based on data from the U.S. Bureau of Labor Statistics and Google Trends, bookstores are projected to be the most recession-proof type of U.S. business in 2023, followed by PR firms, interior design services, staffing agencies, and marketing consulting services.”

— Emily Temple / Literary Hub


“I think terrible things happen in the world every day on both a personal level and on a global level, but there’s a way that creative work can bring joy. It can provide relief—both as a reader and as a writer. It is a refuge. I think in trying to write about climate change and extinction was my way of engaging with ideas about how to deal with it.”

— Anne K. Yoder / The Creative Independent interview


“Possible to believe in a bearable sort of life
in a white room in one of the tidy anonymous streets
that flash by the elevated subway. Picture it:
a blue chair for reading, a gas ring
for coffee, the lamp in its cheap shade
casting its circle of light.”

— Katha Pollitt / “The White Room”


“Why the waste
God why?”

— Helena Kaminski / “Face”

What I’m Listening To:

“Thoughts and prayers won’t get you there
But I guess they do Make a pretty pair
Nowheresville”

— Quasi / “Nowheresville”

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a perpetual jab

bedroll and nape

the author is free to make narcissus dislocate
from his bedstead narcotic—
a demon of countless bitter decanters

he is both limber and in rigor
in bedroll and nape
with a perpetual jab

a wrecker among the dislocated galaxies
folding the hole in the sky

What I’m Reading:

“When a mother dies, everything you’ve given to her comes back to you. Now the tea pots line up on my mantel like grief.”

— Victoria Chang / Dear Memory

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verses are cryptic

The Song That You Sing

I don’t like the song that you sing
the way that you sing it
the key that it’s in
I don’t like the lyrics
That turn of a phrase
The bridge or the chorus
The tempo it’s in
You sing like you mean it
But it’s truly a sin
The way that you phrase it
The pitch that it’s in
I don’t like the song that you sing
The verses are cryptic
Your ear’s lined with tin
You say that you like it
Without any chagrin
You snort like a trumpet
Sound reedy-thin
I don’t like it
The song that you sing

What I’m Reading:

“Music for when the music is over
Is what a poem is. There’s no music
In a poem, just the imaginary
Composer breathing beneath the deep wreck…”

— Rowan Ricardo Phillips / “The Peacock”

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a foul expectation

The Chafing of 100 Millennials

When you awaken your dictionary is large—the days of abridgment have long passed.

You search for globes with a friendly eyebrow cormorant and press on.

You seek out varied terrain, and the enemy of trance, riding with fully loaded pageants—prospecting and westward.

You might try for a chain of mountains to the north—you seek out hired hands among the wolves.

You have a foul expectation of the liveryman who speaks in tongues and whispers to an invisible mate—a tumbril escapist with gold-fringed epaulets and a torn pannier for a hat.

You billet with a cardiovascular tactician that speaks of hernia surgeries and the resulting black scrotum. The mule driver speaks of shaving his nipples.

You’ve hired a team of champions and you’re off for the call of the northwest—a place of intractable weevils.

Oh, the pure joy of being alive another day in this millenium.

What I’m Reading:

Ela Minus Recommends:

  1. There is no failure.
  2. There is no success.
  3. There is only make.
  4. make.
  5. make.

— Ela Minus / The Creative Independent interview

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glorioles and halo

Apropos of Nothing: Dollars for Dollops

Blindly devote yourself to formulary Z-074. Make triplicate copies send one to me, one to Human Resources, and one to the Department of Repressive Operations. Sing, glory be! Glorioles and halo benders and everything is ordinary until it is not. Then we’ll have to consider how I melt, multiphasic, multiplying the meaning of nothing—this is something unseen… what doesn’t kill you makes you spastic and ekphrastic. Please don’t embarrass me in front of the secular pilgrims, they’re in a hurry and frying fast. They’re fasting at the speed of light, gasping at the site of blight. Remember the feeling you had when your teeth were removed with a mallet. Remember the pity you felt at shaving your beard with a hatchet? The nicks and the deep lacerations from running in place with shaving cream in your eye sockets and one hand in your pocket? Well, that’s what I’m feeling now.

What I’m Reading:

“Today she was wearing an old flowered bathrobe with all the threads pulled out. For a split-second, my mother appeared to me wearing the pelt of a wild beast … All that I have standing between me and death is my demented mother.”

— Annie Ernaux / I Remain in Darkness

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