images: details from daniel giordano’s love from vicki island / mass moca
What I’m Reading:
“The darker picture is always the correct one. When you read the history of the world you are reading a saga of bloodshed and greed and folly the import of which is impossible to ignore. And yet we imagine that the future will somehow be different. I’ve no idea why we are even still here but in all probability we will not be here much longer.”
I am the day’s encryption / I am nylon whir on fetid skronk / I am must + disequilibrium / I am growth opportunity / I am terror in the grass / I am green bastion in silence / I am the shock of slice before sanguinary / I am bloodlust / I am carnivore. I am chaos + confusion. I am / eye.
What I’m Reading:
“In the end we all come to be cured of our sentiments. Those whom life does not cure, death will. The world is quite ruthless in selecting between the dream and the reality even where we will not. Between the wish and the thing, the world lies waiting.”
“The sourball of every revolution: after the revolution, who’s going to pick up the garbage on Monday morning?”
— Mierle Laderman Ukeles / Manifesto for Maintenance Art
“Everything I need to know grows wings / and lands on my skin. / A thousand tiny plovers / cover the skies, and shine / like moonlight on us both…”
— Farnaz Fatemi / “Heretic”
“Out of sight, I’m merely an annoyance, one slim, obstinate wrinkle in night’s deepening trance.”
— Rita Dove / “Postlude”
“We lie on the beach. Gray waves advance, retreat. The blue wind, salt scrub, scours my skin. Sharks troll for toddlers. Patrol planes hum below the cloudy scrim.”
— Pia Täavila-Borsheim / “My Friend, Her Grandson”
“I don’t know the names of the women in my family / past my great grandmother. How will I call upon them / when it’s time? Will I call them Mary or Venus / or Yemaya?”
— Diannely Antigua / “We Never Stop Talking About Our Mothers”
“I promise touch. I promise my voice. I promise a willingness to dream. I promise your face hewn into lost history
— Tala Khanmalek / “Louise”
“Solitary bloom / of wild rocambole / day of departure nears.”
— Yuko Fujikawa / “Solitary bloom”
image: detail of carolina caycedo’s blooming (akiko and yuko) / clark art institute
What I’m Listening To:
“El mundo de las luciérnagas ha invadido mis recuerdos Y un corazón diminuto va brotándome en los dedos”
(“The world of fireflies Has invaded my memories And a tiny heart Is sprouting in my fingers”)
Overheard at the Experimental Music Festival (Saturday & Last Edition)
There’s a spider in there. It looks like it died…
I don’t even know what that means anymore…
Some guy in Japan spent a fuck ton of money to build a dog castle…
It’s not the same anymore, it used to be a marathon concert…
Yeah, he’s playing with everyone now…
Providence is cool…
I need to detune my accordion. The intention is not to sound like any accordion you’ve heard before…
I’ve been here many times for the Solid State Festival, and I chose to go to that instead last year…
It reminds me of Sepulveda…
I know my blues but I don’t know who that is…
I couldn’t hear anything!
Ice cream after this…
image: detail of daniel goirdano’s pleasure pipe lvi, mass moca.
What I’m Reading:
“To truly love we must learn to mix various ingredients care, affection, recognition, respect, commitment, and trust, as well as honest and open communication.”
Graupel? How could there be the slightest hint of graupel during two 70-degree days in mid-January? We’ll soon be burning in a hellish wasteland—so why bother?
Just keep moving forward. Get going—it’s worthwhile to roll your boulder up the mountain— even as the water rises up the slope and licks at your heels. Hell, roll it in and under the water if you have to—just keep moving!
What I’m Reading:
“My walking and the path made everything simpler. I was in the flow, and I enjoyed every step … The path is the goal, and the goal is the path.”
the mountains sheeted ice and snow silent and taut snow peaks cut the sky the steaming wolves—rush—gain ground taking of life forbidden
image: françois grenier de saint-martin / le combat de jeanne jouve pour sauver ses enfants de la bête du gévaudan / 1840, in public domain
What I’m Reading:
“For my part, I travel not to go anywhere, but to go. I travel for travel’s sake. The great affair is to move; to feel the needs and hitches of our life more nearly; to come down off this feather-bed of civilisation, and find the globe granite underfoot and strewn with cutting flints.”
— Robert Louis Stevenson / “Travels with a Donkey in the Cévennes”
I sat down brusquely on the dentist’s chair feeling I was about to get routed in some manner. Mint green all about the place. The trickling of water somewhere by my knees.
“Do you want the serial bicuspid?” he said, holding out what seemed to be a verdigris premolar.
“No, I want tooth number 14, for goodness sake,” I said.
“Do you have a nightclub act?” he said, and quickly came at my face with a syringe.
“Listen,” I said pulling at the bib on my chest popping it away from the clip. “I’ll be back. I have to go to the restroom and stare at my genitals in the mirror for 23 seconds. And then I need to hear the cantering of calico ponies before I can submit to crown number 14.”
He said he would accompany me to the restroom and do the extraction while holding up my shirt, but he was by no means going to look at me, or any other part of my anatomy, but my mouth.
“It’s not about that,” I said. “This isn’t a sexual thing. But listen, why don’t you wear your surgical mask over your eyes while you extract my tooth? I’ll guide you by tapping out in Morse code where you are relative to tooth number 14.”
“I don’t know Morse code,” he said. He grabbed a handful of sharp implements from the tray and led me down the hall toward the restroom.
“All the better,” I said. “I don’t know Morse code either, but I’ll moan you through it. Maybe you’ll take out a couple of the wrong teeth, or maybe you’ll accidentally chip a few teeth. I’d like that.”
He stopped short by the fish tank. I could hear the hissing of the aerator. All the tropical fish were gone; only the aquarium snails were visible lined up on the inside glass in a formation that spelled “NO.”
“Do you realize that you’re the only patient that comes in to have his teeth ruined?” He took a handful of small blue rocks from the aquarium floor. “Blueberry bubble gum rocks,” he said, and popped them into his mouth.
“That’s me,” I said. “Eight shows a week, two on the weekends. I like to stand out from the crowd. Why do you think I wear these mesh tank tops given the awful shape I’m in — to show off my deltoids or pectorals?” I slapped at my gelatin chest.
“No. I want everyone to enjoy these rolls of fat.” I reached down and grabbed three spare tires muffined over my belt. “Ridge upon mighty ridge. I want to set my jiggle to glory!”
“You are quite unique in all the most unexpected ways,” he said. “Do you do a nightclub act? Do you know any Englebert?”
“Let’s go, doc! Put that mask over your eyes and let’s extract this sucker.
image: unknown k’iché mayan artist / burial urn / mfa, boston
What I’m Reading:
“I am a hungry heart on skinny legs, standing on the edge of a journey— no maps, no guides, instincts muddled by neglect or abandonment or mistake…”
I see you across the barren parklet. You are eating bits of soft pink flesh.
My hair wilts. Your curls frizz.
I lick the hot sauce off my fingers. You yell that you are an arriviste.
I scream that I was once part of the noblesse oblige and waved banderitas.
You warble an Edith Piaf song. I huff gas out of a brown paper bag.
You sing two registers too low. My viscera gurgles. I pee my pants where I stand — mud puddles form around my feet.
Tomorrow you will sign away your inalienable rights for a used 78 rpm record of “Thee Infanticide Blues.” I will strum The Hits of the Borscht Belt Songbook tonight on my ukulele.
The gloaming hour.
I leave a minute after you do.
You to your elevator shaft. Me to my abandoned mine.
Dark. Wasteland.
We may meet again next year.
What I’m Reading:
“Experience teaches us that governments are only moved to take environmental problems seriously when people vote for environmental political parties.”
— Preface to Final Statement of the First Planetary Meeting of the Global Greens in Rio de Janeiro, 31 May 1992