trickle & tone

No Fear

She found herself on the other side of the country — drove in a fugue as far west as she could until she hit the ocean.

As she drove away from the eastern ocean on the other extreme of the country — away from her husband, a husband who never was but insisted on the name and the discipline he forced; away from the son she never really wanted but the “husband-man” insisted on — she felt no bindings stretching taut, no heaviness.

No fear. 

She had her passport, soon she’d have to choose: north to a clean well lighted place or south to the land of her ancestors — anywhere but this moribund, splintering, ghost ship crawling with mites and weighted down by a gargantuan millstone.

Staring at the sea, she spoke this into her phone:

I long to shape
a moon from bone.

I heard that before,
somewhere—
it resonated. A chord
struck—atonal
& dissonant.

A wound—a pickaxe stymie,
a hurricane hole
in homogeneity.
Monosyllabic—

trickle & tone. 

“Where
you going—where
you been?”

I’ll find a planetarium
to bathe in—

nothing more
to say.

She threw the phone into the Pacific, walked back to car, and drove…

What I’m Reading:

Sometimes she imagines it will happen this way / that it has happened already,
and she stands remembering / that it is happening now, in the dawn of her
imagining—her body a wisp of air in a drafty corridor, stirred in the wake of
her passing.

— Jennifer Maier / “The Occupant Revisits the Rooms of Her Life and Arrives at a Late Understanding”

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About istsfor manity

i'm a truncated word-person looking for an assemblage of extracted teeth in a tent full of mosquitoes (and currently writing a novel without writing a novel word) and pulling nothing but the difficult out of the top hat while the bunny munches grass in the hallway. you might say: i’m thee asynchronous voice over in search of a film....
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