Tag Archives: Experimental writing

make it stop

Posted on March 4, 2022 by istsfor manity

Skronk Tectonics 3: Pesadilla Verdosa Did you notice you don’t stop ‘til you really stop? What does that even mean? Panta said. Well, Moira said, imagine a bunch of barking dogs or cats meowing to Jingle Bells, it doesn’t stop … Continue reading →

Posted in Writing | Tagged Collage, Creative Writing, Cut-Up Writing, Dada, Dream Notation, Experimental writing, Hybrid writing, Microfiction, Nightmares, Paranoiac-Critical, Photography, Poetry, Prose Poetry, Writing | Leave a comment

in this corner

Posted on March 3, 2022 by istsfor manity

Bray of Winces S. understands nothing. He tries, squint-eyed, to turn his brain over. Without spark, the ignition doesn’t catch. S. sees himself, monochromatic, on the screen of his childhood 1974 Panasonic. He’s talking globular in a rectangular city. He … Continue reading →

Posted in Writing | Tagged Chance Operations, Creative Writing, Cut-Up Writing, Drama is the Opiate of the Masses, Dream Notation, Experimental writing, Hybrid writing, Microfiction, Paranoiac-Critical, Photography, Poetry, Prose Poetry, Writing | Leave a comment

with the flow

Posted on March 2, 2022 by istsfor manity

Skronk Tectonics 2: Circulatory bleeding we trendwith axial failureright with the flow—infrequent doses—in an effort to decreasepatientsirrespective of theirdiscrimination. a bridge to a destination gray—for whom is made 28%heart—with a system 44%time. only 9.8%decision pump. What I’m Reading: “It’s true … Continue reading →

Posted in Writing | Tagged Blackout Poetry, Chance Operations, Creative Writing, Cut-Up Writing, Dada, Dream Notation, Erasure Poetry, Experimental writing, Hybrid writing, Paranoiac-Critical, Photography, Poetry, Post-Apocalypse, Prose Poetry, Writing | Leave a comment

random and obtuse

Posted on March 1, 2022 by istsfor manity

Conceptual Film: Critical Focal Acuity 2 (Shot / Unshot) In A Can Series of found film cuts as the camera racks out of focus / or shoots unfocused footage (Asynchronous sound: random and obtuse observations) Series of stills from said … Continue reading →

Posted in Writing | Tagged Chance Operations, Creative Writing, Cut-Up Writing, Dada, Dream Notation, Experimental film, Experimental writing, Hybrid writing, Paranoiac-Critical, Photography, Poetry, Post-Apocalypse, Prose Poetry, Writing | Leave a comment

detune détente detonate

Posted on February 28, 2022 by istsfor manity

dada death (redux) ddedebtd.e.a. detoxdetunedétentedetonatedetonatordetonation deordinationdeontologicaldeoxygenateddepalatalizationdepartmentalizedespiritualization dada dada dada dadadeath “We now understand that race doesn’t actually exist — it is not a biological fact — and humans share all but 1 per cent of our DNA. Our differences are … Continue reading →

Posted in Writing | Tagged Chance Operations, Creative Writing, Cut-Up Writing, Dada, Dream Notation, Experimental writing, Hybrid writing, Paranoiac-Critical, Photography, Poetry, Post-Apocalypse, Prose Poetry, Writing | Leave a comment

cover up my

Posted on February 27, 2022 by istsfor manity

Gatefold Grateful Gatefold Bituminous Mouthed Clown ASCENDANT Cover Up My Shame *** lufetarG dlofetaG . pU revoC emahS yM *** “today my horoscope said avoidrecalcitrant chairs” — Wanda Coleman / “Chair Affair”

Posted in Writing | Tagged Chance Operations, Creative Writing, Cut-Up Writing, Dream Notation, Experimental writing, Hybrid writing, Paranoiac-Critical, Photography, Poetry, Prose Poetry, Writing | Leave a comment

pincers and gloves

Posted on February 25, 2022 by istsfor manity

Dendritic Bolus Blues (Dream at 3:38 am) Instead of changing my shirt I changed my mind and requested a reverse baptism. Get the father son and the Laszlo Moholy Ghost outta’ my body. Get ‘em all outta’ my soul. Forthwith. … Continue reading →

Posted in Writing | Tagged Autofiction, Biomorphic Art, Blues, Chance Operations, Creative Writing, Cut-Up Writing, Dada, Dayglo, Death, Documentation, Drama is the Opiate of the Masses, Dream Notation, Experimental writing, Fiction, Flarf, Ghosts, Hybrid writing, Microfiction, Paranoiac-Critical, Photography, Poetry, Post-Apocalypse, Prose Poetry, Writing | Leave a comment

what it meant

Posted on February 24, 2022 by istsfor manity

The Contractive Subtractive (redux) There were erasures to make. He made the erasures. There were no complaints. The work was done. He moved on. When more erasures were required, he made those; and in this manner his work was accomplished, … Continue reading →

Posted in Writing | Tagged Chance Operations, Creative Writing, Cut-Up Writing, Dada, Drama is the Opiate of the Masses, Dream Notation, Experimental writing, Hybrid writing, Microfiction, Paranoiac-Critical, Photography, Post-Apocalypse, Prose Poetry, Writing | Leave a comment

in our mouths

Posted on February 23, 2022 by istsfor manity

Central Smoke Bone She had grown red and corpse-like below the Danish authority standard issue yellow canopy—beyond the dune and deadwood. Nearby, crusted and congealed, many rats in hazel frozen a on twig. Bleating, and she a sheep, that sand … Continue reading →

Posted in Writing | Tagged Chance Operations, Creative Writing, Cut-Up Writing, Dada, Dream Notation, Experimental writing, Flash Fiction, Ghosts, Hybrid writing, Microfiction, Paranoiac-Critical, Photography, Poetry, Post-Apocalypse, Prose Poetry, Writing | Leave a comment

at my dreams

Posted on February 22, 2022 by istsfor manity

chicken in a box i jump off the bed—cold granito floorjudders my core—legs & spine ablazelower braindoused in fire. i dread theconflagration in my headas i peck awayat my dreamslike one conditionedinside an arcade game box. slot a quarter in … Continue reading →

Posted in Writing | Tagged Chance Operations, Creative Writing, Cut-Up Writing, Dream Notation, Experimental writing, Fiction, Hybrid writing, Microfiction, Paranoiac-Critical, Photography, Poetry, Prose Poetry, Writing | Leave a comment