handbill and plumb

Old Residence Roe (redux)

Venn diagrammer,

Put-down fleshpot-bitten particulars, play me the warped Uriah bluffs. Shadow and hiss.

Triumph pad,

Draw me a Cossack and hatchway bursary embryos in and out on sternum ridges. Bring me the bluffs.

White taboo clown,

Password me the caviar spotlight of that old residence roe. Handbill and plumb,

Sinner ‘74 brazier,

Bring a Peckinpah rough cut, a splatter and blush. Bring me, please, the headlamp of A. Garcia. That mud don’t play until ten after four.

Mud don’t play.

Mud don’t.

What I’m Reading:

The sound of quiet. The sky
indigo, steeping
deeper from the top, like tea.
In the absence
of anything else, my own
breathing became obscene.

— Leila Chatti / “I Went Out to Hear”

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about the blues

A Lap Dissolve

She’s frozen in the web of a nascent season. The season of decay at the doorstep.

Summer is dead, she says, from the elevated ramp.

I’m blue about the blues, she says. I’m sorry, it all sounds the same—just different riffs.

I’m nonplussed—in pain—my achilles is driving me batty.

(Lap Dissolve)

Streaks of antelope white face black splotch—play for a dollar on the continental divide. Scenes of a concrete dance floor nibble on a beer bottle label, then drinking paint thinner at dinner. 

A picnic cleansing in these United Stockades military truncheons on our streets. Masked men in black trucks seeding mistrust and zip-tying us behind backs leading us into damnation—or black box countries currying favor—by our foisted wrists. 

Something’s gone amiss in this already far-askew country. 

Building-sized posters of the dear leader . . . backdropped half-dozen handgun monticules arched by automatic rifles . . . row after row after row.

Wow! What a place!

What I’m Reading:

The generally acknowledged truth that the world is going to hell should remind us that we do not currently live in Hell. 

— Rivka Galchen / “Unreasonable” / The New Yorker

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in this (my) neighborhood pt. 114

What I’m Reading:

I sharpened knives
All night.
To welcome you
In the brilliance of their blades . . .

— Ladmila Lazić / “Love”

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unmoored from signifieds

Memorable Stuff I Read This Week

We were nostalgic for foolishness, because it meant wisdom might matter. We were nostalgic for fakery, because it meant realness might matter. We were nostalgic for trompe l’oeil, for fool’s gold, for crocodile tears, for Mercator globes, for mimeographs, for velveteen, for signifiers unmoored from signifieds.

— Donna Stonecipher / “The Ruins of Nostalgia”


If I fall silent and words ripen
it’s the voice of an olive tree in its quiet seed.

— Ronaldo Kattan / “Two-Blooded”


My intent, like his, was to take a singular interest in all I encountered. To turn my attentions away from the noxious chatter of Washington, the tribal feuding on television and computer screens, and care only for the particularities I found along the way. To shrink my horizons to that of a walking man and to root my views of the world in what I encountered step by step. To honor and respect what I saw.

— Neil King Jr. / American Ramble: A Walk of Memory and Rememberance


Half-naked in her ankle-length dressing-gown,
my mother is battling with mosquitoes —

or not so much battling with as bowing to —
the phalanxes of bloodthirsty mosquitoes

that whine their high-pitched whines in her hair
and will not let her sleep. Not a chance.

— Selma Hill / “Zvuv”


Right now, in the amazing moment that to us counts as the present, we are deciding, without quite meaning to, which evolutionary pathways will remain open and which will forever be closed. No other creature has ever managed this and it will, unfortunately, be our most enduring legacy.

— Elizabeth Kolbert / The Sixth Extinction: An Unnatural History


The math

is grammar school: X thousand workers,
Y hundred jobs. The shoe factory closed last year.
Nobody’s starving, but the church is in fear
it’ll lose some paying customers.

— Thomas Lux / “Somebody’s Aunt Out Swabbing Her Birdbath”


Stopped in cars, we are waiting to accelerate
along different trajectories. I catch the rising
pitch of a train—today one hundred nine people
died in a stampede converging at a bridge;
radioactive water trickles underground
toward the Pacific Ocean; nickel and copper
particulates contaminate the Brocade River.
Will this planet sustain ten billion people?

— Arthur Sze / “Doppler Effect”

What I’m Listening To:

Hail, hail, the Eyeball Kid
Well, the first time I saw him was a Saigon jail
Cost me $27 dollars just to go his bail I said, “Your name will be in lights, and that’s no doubt
But you just got to have a manager, that’s what it’s all about”

— Tom Waits / “Eyeball Kid”

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in this (my) neighborhood pt. 113

What I’m Reading:

Our bodies carry everything that has ever happened to us, the way the land carries everything of humanity.

— Lidia Yuknavitch / “Unearthed”

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in this (my) neighborhood pt. 112

What I’m Reading:

I need solitude. I have come forth to this hill … to see the forms of the mountains on the horizon — to behold and commune with something grander than man. 

— Henry David Thoreau / Journal, August 14, 1854

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in this (my) neighborhood pt. 111

What I’m Reading:

Forests burn into their clearings. A sense of dread.
It has something to do with the flags of the age.
There are huge weapons, poison gases, insecticides
to injure us.
Who’s holding them?

— Daniela Gioseffi / “Falling Into Sand”

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in this (my) neighborhood pt. 110

What I’m Reading:

We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory, stretching from every battlefield, and patriot grave, to every living heart and hearthstone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.

— Abraham Lincoln / First Inaugural Address, March 4, 1861

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in this (my) neighborhood pt. 109

What I’m Reading:

fist of this tyrant kingdom: my city
of industry, my city of atom bomb,
my city of warheads, of plutonium kept
clandestine, of slow killings
accomplished to more efficiently
kill, of truths & metals
forced underground

— Marissa Davis / “Thirteen Ways of Looking at a Dead Fish”

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in this (my) neighborhood pt. 108

What I’m Reading:

My mother smiles at walnuts
as though time in the heart never started.

— Brian Matur / “As Though”

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