To take your place I place this alchemical bomblet in your sassafras soporific. In this oneiric state anything is possible so I extend my sickle sharp proboscis the seventeen feet necessary to puncture the dream bubble that is unspooling above your bed. There I inhale the flying seahorses, the cavorting beasties and fireflies in fresnel cubes.
(The sea sponges made of milk chocolate and the orange flavored tsetse flies are my favorite)
And in the one quiet moment between my inhalations, you awaken and proclaim the central tenets of manifest destiny have forever been misunderstood and the lights come on plunging the entire scene into darkness. I’m out of place.
It’s a ragged sort of heat. The call of the west again.
Then a discomfiting sort of rain. It’s my first day out of the house in nearly three weeks. Just 2 days ago I was fetal, on the bed, unable to sweat the thoughts away.
I found a litter of puppies feeding in the corner of the living room, and dry shit streaked on the bathroom towel. The Christmas tree is canted and some of the balls have unfurled their string covers revealing the styrofoam balls beneath. I remember the last year they had glass ornaments the piles of colored glass shards spread about the living room and the multiple band aids on my cousin’s feet. Those styrofoam balls must be 25 years old now. But it was the smell that was truly distinctive, a mix of sour broiling turkey mixed with wet dog fur, overfull litter box, and Lysol.
Someone’s cut and paste — forlorn and left out in the desert — cries out for purpose. There is no liability. There is no curse.
I considered the crow a baleful thing; it darkened my day instantly like a light speed sarcoma. My day, my year, my life was shot in that cut and paste. And in that instant I wrote this, and never wrote again.
“Why was it so unthinkable that we ourselves—not necessarily tomorrow or the next day, but eventually—follow the same well-beaten trail toward oblivion as the dodo, the black rhinoceros, the passenger pigeon . . . and all the countless other species whom we ourselves had driven from the face of the earth?”
— Mark O’Connell / Apocalypse: A Personal Journey to the End of the World and Back
1. You are playing mechanized baseball: a ball bearing is pitched out of a hole, and the bat is a pinball flipper — and fwap! The ball bearing falls into one of a series of holes marked “single, double, triple, home run, and out.” There are vastly more outs than hits. Then you move on to submarine warfare: small plastic ships float out near the horizon line as you look through your periscope: you estimate position, hit the fire button on the handle, and BOOM! Down goes das boot!
2. You are the night’s confabulation. You don a Richard Burton affectation and on occasion you break out into song and dance, Al Jolson style, viz., a good Jewish boy doing blackface or something minstrel-like. Not to worry, you’ve run this through the department of psychological sanitation, and nothing that you do or say will offend, chagrin, or impinge upon a healthy state of mind. No, in fact, you shall be put through the “so called” ringer, and as a point of further fact you are wearing an Arab strap, and it will assist you in hitting certain notes with a certain meaning. No! No cause for alarm. This is all family friendly, PG rated, and sanitized for your protection. The buzzword to listen for: gentrification, collateral damage, enhanced interrogations, debt ceiling limits… the list is long, but you know them well. So without further ado…
3. You are Claudia’s kid — conceived at that apartment she and Terry lived in above the Garden of Eden Diner in Hoboken. Yeah, remember they were doing roadie work for Yo La Tengo that year, they even opened a couple of shows for them using the name of their first band, Rasputin’s Swim.
4. You are a case of the shakes, momma made the shake n’ bake. I got the shakes, momma made the chicken fried steak. I got the shakes, momma made the whole world quake — she’s got the power you know. I got the shakes, momma said she’s going away.
5. You are the doxology of reflection in a darkened alcove. God is in the alcove. God is in the house. God is loose in there. Who let him in? Did you bait him with cerulean cookies and sugar clouds? Now God’s rummaging around. Uninvited. Unwanted. What dolts you both are.
6. You are biddable in the execrable moments before the prisoner is executed. You are Richard Burton bombast, Shakespearean affectation a notch too loud and an eyelash too wide. You are the murmuration of starlings lost in the roiling chaos in that instant before banking hard left. You are the suppurations of wounds that don’t heal three weeks out. You are the gesticulations of the man without legs as the detritus and shrapnel falls back to earth and settles on the rim of the new-formed crater. You are the child transfixed with the sky as she traces the arc of the parachute bomb’s parabola on its ecliptic. You are.
7. You are last day of November: when ladies of idle lament, and big men with boxy jackets in swimming trunks, big trunks, salute portmanteaus in the streets of Deauville. You sing, “break up to make up, that’s all we do, first you love me, then you hate me, that’s a game for fools.”
8. You are lust unbound. You just want to kiss her, “please just let me kiss you.” She wants to smash you. “I will let you smash me. Beat me with that truncheon, smash me with that truncheon.” Then she broke the spell and hissed: “disrepute!” You lodged a complaint via computer, the one on the street corner, then you had enough. You stopped.
9. You are tornado thoughts ten seconds after the weather warning has been issued.
10. You are the shrieking instrument panel on the jet spiraling earthbound.
“I like to do the opposite of everything that is making money.”
Everyone on tiny purple microdots is encouraged to call the quasar, and if you get no answer please call the event horizon.
The DMT sequence transports have been established.
All galactic envoys and space cadets are registered for a bitchin’ wow experience, man!
It’s only a thing nothing.
“Have a low overhead. Don’t live with anybody who doesn’t support your work. Very important. And read a lot. Don’t be afraid to read or of being influenced by what you read. You’re more influenced by the voice of childhood than you are by some poet you’re reading.”
I was gas huffing one afternoon, by the train tracks near the smelter, trying to shotgun iso nitrite through my paint gun and boom — whoosh! — it hit me.
It was a wrap, and on came a visual rap of distortions through time — shit I hadn’t remembered in forever, cascading — distortion to static.
Momentarily I was up on a Brady Bunch screen: Momma, Pappa, Uncle Justus, Chelsea and Me — the other four were faceless homonculii, who despite lacking features had silver metallic paint smeared all over the bottom of their faces. Well, we had a Brady Bunch, anyway, in garish dayglo.
Letter never sent. The ideal copy.
“Ah, good taste, what a dreadful thing! Taste is the enemy of creativeness.”
— Pablo Picasso
“Ask me if I’ve ever had to use
bottle caps as breadcrumbs to help
my brother find his way back home.
He never could tell the taste between
a scar and its wounding, an angel or demon.”
“He’s got what?Days left?I don’t want to be there when he dies.”
“Sangfroid.”
“I’m cold-blooded?”
“You didn’t wish to come back to the village — to the sea?”
“I see… a Rothko — canted, a lost apocryphal work — an ashen landscape in three gradations.My father tore out its center and revealed there’s no heart to the universe, only a corrugated armature — frozen, encased — as if the sky were stapled to the sea with liminal ice.”
“You see wasteland?”
“I see ghosts.I was eleven.My father placed the gun to his temple — then mine.He abandoned me here.”
ii.A Song for the Plague Year
I find my father supine on the bathroom floor, limned by a bloody halo — a pinpoint hole in his left temple.Gorgeous.
The floor seethes and the ceiling lowers its claim upon me.I’m extruded out of the bathtub spigot.Suffering.Wait.Wait.Suffering.I’m in the heart of darkness.I’m in the heart of the work now.Shiver.Fertile.Gorgeous.
iii.Molecular Organic Nano-machines
I’m at the morphine station.
I’m a soft machine inside a hard silicone husk.I’m a warped machine rattling out flickering images: images of a gun.
I’m a soft machine in a hard exoskeleton — silicone dark inside — silicone smooth and white outside.My memories play back on the cryoscreen. Here memories are particulate existences transformed into nano-globules (n-g.’s) that are secreted from the ferrules at the end of your iPuffer: smoky, hormonal, and projected inside and beyond your eyes.
“Please cue n-g. 173-A: the day I met my father at CBGB’s; and frame n-g. 173-B: the moment that punk rock saved my life.Please add the blue 17 gelatin filter.”
A puff from the ferrule and the images resolve, but this memory is faulty.The memory warps and echoes: a radiator squeals, brass electrodes buzz, my father is blood-crusted, ignored in a dusty corner, covered with mites escaping the evil heat.Batista’s henchmen torture another… no, stop, this is not my memory but the anecdote he told me that night…
“This is not the n.g. I requested. STOP.STOP.Press the eject…”
Blood, on the tip of my tongue.Where is it coming from?Then a bestial din: the sound of a million cicadas’ lament before the seventeen year death — a rupture tectonically within me.The smell of hissing green plantains dropped into overheated oil — the splattering: tinny, spastic —and then the loss of control.
iv.missingSTOP
im not who i was once wasSTOPaposiopesisSTOPSTOPim a perfectionistim obedientget away from hereget away from that gunSTOPSTOPSTOPdr x said im not my thoughtsim not my feelingsdont relive itdont rehash itand if it finds youthen embrace itembrace the thoughtsembrace the feelingsbe one with it and then release ityoure not your memoriesyoure not your feelingsbe one with the thoughtsbe one with the feelingsand then release themSTOP
punk rock changed my lifeno punk rock saved my lifethe songs of the minutemenno not that memorySTOPSTOPdont touch him theredont touch me stop itput down that gun38 snubnoseit weighs a tonSTOPSTOPSTOPembrace this memoryembrace this emotionim not my memoriesnot my emotionsSTOPaposiopesisapoplexiesapophaticand aphasicSTOPSTOPdr x saidwhatever happensits okwhatever happens is okim okwhatever happensim not my thoughtsim not my feelingsyoure doing the best that you canim doing the best that i canSTOPSTOPSTOP
“Write down the thoughts of the moment. Those that come unsought for are commonly the most valuable.”
Another found art treasure found inside a used $1.00 copy of Melville’s Moby-Dick.
“Exercise the writing muscle every day, even if it is only a letter, notes, a title list, a character sketch, a journal entry. Writers are like dancers, like athletes. Without that exercise, the muscles seize up.”