wallow in silence

Overheard at the John Cage Symposium

Every time there is a large gap on radio or television,
John Cage is paid a royalty of $4.33.
This is why people sit and listen to rain.
I’ll make a presumptive statement…
I want to hug this guy.
He was very Zen.
A playground for the soul —
I like to wallow in silence for a few hours.
I cannot live on a diet of 100% ambient sound.
He seemed sad… I’m glad he could laugh there.
Just the kind of thing you would need for citations.
Every time I get to this part I laugh like a donkey on crack.
His laughter…
My role model still…
Duchamp is “the shit” as well.
He reminds me of my high school guidance counselor.
I also do elderly weddings and children’s birthday parties.
This is amazing, and his cat looks like mine.
I love this man.

***

Maps to Anywhere / Bernard Cooper (1990)

Understood. This is considered a landmark book of short creative nonfiction, but for my palate it’s uneven at best. The longer pieces — actually worked best especially “The House of the Future” and “The Wind Did It.” Both of these are comprised of a series of shorter essays and both deal primarily with Cooper’s father and his family. These are both excellent.

Of the flash / micro pieces “Temple of the Holy Ghost” and “Leaving” are exceptional. They work well as flash nonfiction and prose poetry.

But there’s something about the juxtaposition of all these disparate pieces that diminishes the whole for me. This is still a worthy read — as I understand it — the first to collect mostly flash nonfiction into one volume by one author. / Hardcover, 01/09/21.

“Writing is frustration — it’s daily frustration, not to mention humiliation. It’s just like baseball; you fail two-thirds of the time…”

— Philip Roth / New York Times, 18 Nov. 2012

Posted in Writing | Tagged , , , , , | Leave a comment

gratuitous jump-cuts

Born Again

I’ve been healed, but it’s going to be a rainy day tomorrow. It was revealed to me that profligacy leads to losing scrapers and brushes — and uncontrolled oven fires… or was it oven fries?

I’m not sure.

I am certain that it is the devil’s work, and the devil doesn’t speak English, so here I am studying Mandarin and I have no idea how this fortune cookie, which is written in Spanish, got here.

I’m unable to sort this out and this is playing out like a David Lynch film.

I’m lost without a clear linear narrative, upset by temporal disjunction and gratuitous jump-cuts. I have no way of disengaging from this nightmare. I’d just like to fall asleep while at the editing bay, but the David Lynch film festival continues to loop in my head — Eraserhead is the only film projected.

I want to start again, I want a do over — to get to 500 lap dissolves already!

“If Nazis wanted to reach out and find common ground and understand us, they probably would not have had that tiki-torch parade full of white men bellowing ‘Jews will not replace us’ and, also, they would not be Nazis. Being Nazis, white supremacists, misogynists, transphobes is all part of a project of refusing to understand as part of refusing to respect. It is a minority position but by granting it deference we give it, over and over, the power of a majority position.”

— Rebecca Solnit / “On Not Meeting Nazis Halfway”

Posted in Writing | Tagged , , | Leave a comment

the cogs thunder

Doomsday Clock

I am the keeper of the Doomsday Clock. I know what will happen to us. I know how the world ends, but I don’t tell you. I’ll keep you in the dark. I stopped the hands on the Doomsday Clock at 11:59. When we met I thought I would turn back the hands on the clock, that I might set the pendulum in reverse. But you said our fate was sealed and it was fatal. I was drawn to that. I was afflicted. I set the works in motion once more, the cogs thunder. I have chosen this minute.

“This is what I know. Sam is dead. My brother is dead. My mother is dead. My father is dead. My husband is dead. My cat is dead. And my dog who was dead in 1957 is still dead. Yet I still keep thinking something wonderful is about to happen. Maybe tomorrow.”

—Patti Smith / The Year of the Monkey

Posted in Writing | Leave a comment

mighty good leader

Click on the play button above to watch my short film iii. mighty good leader.

“Everything faded into mist. The past was erased, the erasure was forgotten, the lie became truth.”

— George Orwell / 1984

Posted in Writing | Tagged , | Leave a comment

seething altered state

image

film drama is the opium of the masses

dziga vertov’s camera eye
detaches its retina –

click, whir –

a reddish yellow mass
of seething altered state

kino-kism: glowing
white-hot to-blue eye,

the whirring swallows the gray
incandescent sky

“What we remember from childhood we remember forever — permanent ghosts, stamped, imprinted, eternally seen.”

Cynthia Ozick / “The Shock of Teapots”

Posted in Writing | Tagged , , | Leave a comment

eating the universe (redux)

Exiles In the Land of Kakistocracy

I.  A Conversation in the Time of Galamatias:

Our salad days are filled with bitter herbs and intractable roots —
Not so much a salad, but a melange
Of weeds and thistles —
Indelicate things in our mouths.

Every bite a mouthful of rot and offal —
Awful offal.

The kakistocracy is installed in the cupboards
The cups are off on a two week vacation in Wuhan.
We are mystified and malnourished.

Now I’ve had my wine…
And you look better than you did twenty minutes ago.

And you say:
The sky is a massive hole tonight —
My precious lucida is eating the universe:
Inside-out.

I can lay down and go to sleep.

The lights are receding
And the darkness is strangely pleasing.

II.  The Death of Tane:

Then there was the sickness —
So hot.

The vault of heaven darker —
Then darker —
A black sun —
At end.

It was succeeded by the shadow
Of the shadow —
Spreading —
Nearer and nearer to the pin prick
Of light —
Destroyed.

To the west—
distant—
A white effluent
Soft and yielding
Bounds off.

III.  Passage:

Crossing guards cane a woman.
She stopped traffic —
She wore a mask
She needed a cuddle —
She shook —
She hollered:
“You there, take this…”
Her eyes closed.

The wind appeared pink.

“Your mother buggered 
little boys and girls!”

“She’s a ghost,”
My mother said —

“Alone —”
As she squeezed my neck.

“Goodbye,” I cried.

IV.  Coulrophobia In The Land Kakistocracy:

Clowns are spotted in the Carolina gloaming —
Clowns with knives at the edges
Of dark woods.

I met an old man who loved
A woman who —
In whispers —
Had recently died.

He recounted his harrowing nights
Raising his hands at
An unfamiliar country.

Without spotting an actual person —
He spent lonely days
Encircled by clowns —
And a stranger…
We can not discuss.

Painful moments in our pockets.

I saw groups staring up —
Untethered —
Lost —
Exiles.

They looked small in comparison with
This Curious Refraction.

V.  A Violent Force:

Corybantic priests run —
Amuck through prickly weeds —
Bloody hands full of entrails
Chased by their sacrificial lambs and
Headless corpses —
With empty chest cavities —
Whose names were not happily chosen.

Among the monticules of ashes —
Lie dismembered heads
Mouths stuffed with testicles.

And the stranger —
Bright and Barren —
Grows stronger —
Triumphant.

“And I wondered, not for the first time, what patriotism is, what the love of country truly consists of, how that yearning loyalty that had shaken my friend’s voice arises, and how so real a love can become, too often, so foolish and vile a bigotry. Where does it go wrong?”

— Ursula K. Le Guin / The Left Hand of Darkness

Posted in Writing | Tagged , , | Leave a comment

wha’?!

WTF just happened?

Wha’?!

Below you’ll find a book review I wrote yesterday when there was some semblance of normalcy in the ether. I spent the entire afternoon and evening doing what is most inimical to writing — watching history unspool on the tube. Please be wise.

Please be safe.

***

The Year of the Monkey / Patti Smith (2019)

Enjoyable enough memoir from Patti Smith. Spends a bit too much time segueing into dream states incarnate. But even ok Patti Smith is a good enough time with a book.

It doesn’t have the import of Just Kids or M Train, but it certainly has the art, remembrances of things past, literary allusions, loss of loved ones, and globe trotting, and photography of both earlier books (few memoirs do).

I was lucky enough to read my copy while listening to the audiobook (a practice I started with some books last year, and first with Smith’s M Train) because Smith’s voice and reading style are unmatched — well, except maybe William S. Burrough’s who makes a brief appearance here and Tom Waits (who doesn’t).

Another bonus of the audiobook is that where my hardback edition ended with the post-epilogue in 2017, the audiobook which was released in the spring of 2020 included an extra 45 minutes of material up to the pandemic’s early days in the U.S. in 2020, and obviously incidents between 2017-2020. A nice perk of the audiobook. / hardcover & audiobook, 01/04/21.

“I was still moving within an atmosphere of artificial brightness with corrosive edges, the hyperreality of a polarizing pre-election mudslide, an avalanche of toxicity infiltrating every outpost. I wiped the shit from my shoes again and again, still going about my business, that of being alive, the best I could.”

—Patti Smith / The Year of the Monkey

 

 

Posted in Writing | Leave a comment

thee only method

How I Became The Scarified Boy (a thingamajiggy)

This takes place everywhere and nowhere at once. At the center of a spin art piece before the paint reticulates out; in manifold dusty, dark spaces; in destitute backyards choked with crabgrass; and Gusman Hall in Miami, Florida.

A father. A son. Supporting players.

Illicit substances, vitriol, a gun, mind control techniques, married people that shouldn’t have been… married, that is.

And here, someplace, we join…

Son:

Don’t twang that pang of that Journey to Ixtlan at me. I believe the interregnum is better than the internecine, and neither are as good as interstices. What do you sing? What do you sing?

Father:

I sing of the sun going out. White dwarf? White dwarf? Pray tell, dying star, where was your fiery giant? This will all disappear someday after we’ve disappeared in an anthropocentric extinction — the sixth great extinction!

(He points savagely at the heavens.)

There will be nothing you can do… do be do be doo… do about that?

Son:

I think you mean to bring me down at the nascent end of the good new year! It’s 1979! Get with it.

Father:

Nope! Look around, look around, you’re already well into the first act of the end. Act two is a bitch! No one has ever seen anything like it.

(He adjusts his Pope’s mitre — a hat that never became him, always slipping off his shaved head. He flings the hat over the backyard fence. He recoups.)

Act three is acid, bitter, and terminal. The dènouement. So out! Out. Out in your bitter boy britches and fasten your seat belt, son. It gets harrowing from here. A goon’s new year to you, boy!

Son:

I fear my grip on reality is tenuous, at best. I grant you that. After all, you pulled a gun on me when I was eleven. You often pulled the same gun on my mother during those hazy rages in our smoke-filled living room.

(A paisley brocade sofa, a large stereo console, and field and stream oils materialize on the busted walls.)

The ash trays were always overfull — the butts were a dark prophecy of lost days to come. The record player always hiccuping from the stylus on the never ending last groove. Pop! Pop! Pop! Johnny Mathis did not soothe your savagery.

Father:

It’s best not to bog down in theories or paralyzing rationalizations. It was what it was. Just something. Your experience may vary, my mileage was fine. I’m here aren’t I? Buck up!

Son:

I never thought such displeasures were possible. Yours, hers, mine. We drowned.

Father:

Oh, yes we did! The best plan was none. Chaos undergirding all designs — it yielded the most mileage per trauma cluster. That hothouse in your skull is full of dendritic knots.

(He swings his arm out like a madcap magician and produces a silk scarf out of his sleeve.)

There will be cold and snowy days; there will be warm and sunny days. I’m here to make sure many of them will be a hell!

Hell— Hello. Helloooo!

(His voice echoes and bounces back from the corners of the warping room.)

Try me, sonny. Go ahead. Try and find me somewhere in the spring of 1981. I disappeared from your life for a reason. Try to shape my thinking. It hasn’t happened since Silva Mind Control — my method is thee only Method! I use it to pick up all the I women want, from 15 to 53!

Son:

Wait! You claim to use the power of mustard seed grain faith to move a mountain, and instead you use it to pick up women? Really?

You claim to control and harness your mind power to dissipate clouds and divert hurricanes. You claim to shoot lasers out of your third eye, and you’ve the power to lay hands-on to cure cancer, and instead of doing something truly useful you’re using it to pick up women?

Father:

It’s useful to me.

***

Two weeks later my father came to my high school graduation with his new wife — an 18-year old woman barely six months older than I was — and introduced her (left to right, in order of largest mouth-agape) to my mother and my gangster stepfather of three months; to my 60-year old grandmother-inquisitor and her mute husband of 6 months; and to my drug dealer uncle and his pregnant 16-year old mistress.

In that fitful din of graduates and families finding their seats, during the opening strains of Pomp and Circumstance, I took out my pocket comb and made the first gouge. The first of a thousand of gouges to come.

I resolved to never marry.

After the graduation ceremony, bleeding from the chest and thighs beneath my graduation robe, I drove to Tijuana and joined the Camacho Brothers’ Freak Show.

“The only unity in this story is, please God, an involuntary unity.”

— Samuel Beckett / Dream of Fair to Middling Women

Posted in Experimental writing, Writing, writing hybrid | Tagged , , | Leave a comment

title & such here

All that

and
the
other
stuff
goes
here…

“We die. That may be the meaning of life. But we do language. That may be the measure of our lives.”

— Toni Morrison / Nobel Prize Lecture

Posted in Uncategorized | Leave a comment

why not gag

erasure poem #1321

freedom, of course, is
meaningless, so worthless
that no one except you cares whether
you are free

others
fail
to care

why not gag?

***

The Left Hand of Darkness / Ursula K. Le Guin (1969)

I checked this ebook out on a whim, it was suggested by my public library algorithm. I wanted to read a full length Le Guin novel sometime this year — I’m was only familiar with a few of her short stories — and I’m glad I acted on the suggestion.

I was surprised by how much I enjoyed this.

I wasn’t certain at first as the opening chapters are full of unknown terms and the “spacey” sci-fi tropes I usually avoid. At first one has to trust that Le Guin will make all the odd terminology and language quirks pay off — and they do. While the narrative is dense with “neologistic” terms, through usage, analogy, and eventual explanation it all works out.

More than the high concepts it’s the story about two beings, Genly and Therem, and how they come to trust, befreind, and love each other, despite their mutual mistrust.

This evolves over a backdrop of space travel and potential alien conflict, but the tale is powered by existential concerns — especially around some very interesting gender issues unique to this new world.

I usually stick with the dystopia and post-apocalyptic sub-genre when I venture into science fiction — especially narratives centered on quasi-realistic earth/human-based scenarios — this book has broadened the possibilities. / ebook & audiobook, 01/01/21.

“It is good to have an end to journey towards; but it is the journey that matters in the end.”

— Ursula K. Le Guin / The Left Hand of Darkness

Posted in Uncategorized | Leave a comment