dumpster-bin nonchalance

Self-Portrait (as the Jubjub Bird and the Frumious Bandersnatch) Down South

Jocose in those dying days of Sancti Spiritus. They jostled and jointed, they foisted and hoisted, the beams up to the sky. Mountain joists of slick primer. Letters fell out of the alphabet books and pooled ankle-high in the dead letter office on the outskirts of Cabaiguan.

Chinchilla chip extractions in darkened corners, in dumpster-bin nonchalance, in the space where I guarded a jar of borborygmus while thunder poured freely out of backyard spigots. Sanguine was the toothy man from Tayabacoa, the brass splayed out of his mouth, and delayed behind his teeth the bloody antiquarian rags.

Your erudition excited me so that I cracked in carbuncles that hissed upon maximum inflation. You lanced my ruined body. I pivoted in place, a silver bayonet engaging the rage of a moribund wrist toss.

Gathering dirt bombs. Gathering dust.

“You are—after all—the very first reader of what you write. Please that reader. You may not have any other.”

— Jane Yolen / Take Joy: A Book for Writers

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sometimes silence

sometimes

silence

“You write what you write, and then either it holds up or it doesn’t hold up. There are no rules or particular sensibilities. I don’t believe in that at all anymore.”

— Jamaica Kincaid

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claw trails glistening

Blues Cat Haiku

Anger kitty struck,
bloody claw trails glistening,
cool blues filigree.

“Anger after someone has died is a cake on a table, fully risen. A knife housed in glass.”

— Victoria Chang / “Victoria Chang”

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molasses death spiral

Stuck Abecedarian

It was drenched green. The gazetteer absconded with verisimilitude and we were left in this wasteland clenching our drooping marigolds. The villain left vanilla footprints and the abecedarian was stuck on E. Something sticky dripped down our hot backs and commingled, congealed, with our sweat. We were a prize for the ants and bees, but they all disappeared earlier than expected during the sixth extinction. What did you call this again? This slow molasses death spiral? You had a term for it that I thought was so appropriate, but I forgot it. In the end what difference did it make? You said it made none.

“I’ve never liked the idea of originality, and so my whole life I’ve always written by taking other texts, inhabiting them in some way so I can do something with them.”

–Kathy Acker

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the colors blanched

eyeless and unctuous

take my eyes
i want them not
there is nothing worth seeing in this world now
the colors blanched
everything i saw lost its definition
it all went soft

“Some live by love thy neighbor as thyself,
others by first do no harm or take no more
than you need
. What if the mightiest word is love?

Love beyond marital, filial, national,
love that casts a widening pool of light,
love with no need to pre-empt grievance.”

— Elizabeth Alexander / “Praise Song for the Day”

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in a vise

head in a vise

the seventeenth electroshock

a peppery taste

“So it is better to speak
remembering
we were never meant to survive.”

— Audre Lorde / “A Litany for Survival”

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spastic and ekphrastic

Dollars for Dollops

Blindly devote yourself to formulary Z-074. Make triplicate copies send one to me, one to Human Resources, and one to the Department of Repressive Operations. Sing, glory be! Gloriole and halo benders and everything is ordinary until it is not. Then we’ll have to consider how I melt multiphasic multiplying the meaning of nothing this is something unseen… what doesn’t kill you makes you spastic and ekphrastic. Please don’t embarrass me in front of my secular pilgrims, they’re in a hurry and flying fast. They’re fasting at the speed of light, grasping at the site of blight. Remember the feeling you had when your teeth were removed with a mallet. Remember the pity you felt at shaving your beard with a hatchet? The nicks and the deep lacerations from running in place with shaving cream in your eye sockets and one hand in your pocket? Well, that’s what I’m feeling now.

What I’m Reading, or: What I Just Finished Reading (a continuing series)

Caste: The Origins of Our Discontent / Isabel Wilkerson (2020)

Mammoth undertaking.

Wilkerson makes the connections between the historic treatment of Black Americans and the Nazi’s treatment of Jews in the years before and during World War II; and the Indian caste system, comparing African Americans to India’s lowest caste Dalits. Wilkerson provides myriad examples and anecdotes.

The book is at its best when it’s laser focused on the issue of caste in the United States.

It’s also instructive to be reminded of how closely the Nazi’s studied, and were enthralled by, the laws and mores that guided dominant caste Americans’s treatment of Black Americans — a system that continues to dehumanize.

“Race, in the United States, is the visible agent of the unseen force of caste. Caste is the bones, race the skin… Race is what we can see, the physical traits that have been given arbitrary meaning and become shorthand for who a person is. Caste is the powerful infrastructure that holds each group in its place.”

This book feels like it should be engineered into every American’s DNA.

Ebook, 02/24/21.

“It is not luxury cars and watches, country clubs and private banks, but knowing without thinking that you are one up from another based on rules not set down in paper but reinforced in most every commercial, television show, or billboard, from boardrooms to newsrooms to gated subdivisions to who gets killed first in the first half hour of a movie. This is the banality of caste.”

— Isabel Wilkerson / Caste: The Origins of our Discontents

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there’s a scrabbling

Diminished

You were going to try to sleep but you stopped to read this.
What was that choice predicated on?
I hear murmuring coming from outside.
Shadows flit out of the window frame.
There’s a scrabbling at the window up front. Something muffled at the door.
What was that choice?
Maybe you should have taken the other option?
But here you are now.
Under assault.
Options diminished.

What I’m Reading, or: What I Just Finished Reading (a continuing series)

Basquiat’s Defacement: The Untold Story / Chaedria LeBouvier, et al. (2019)

Four essays and a slew of personal recollections are the foundation of this exhibition catalogue. LeBouvier and Greg Tate’s essays are indispensible when reading about Basquiat, especially about his work focused on police brutality. The centerpiece in both the book and installation was “Defacement,” about the brutal beating and eventual murder of Michael Stewart, a developing artist and New York east side scenester in September of 1983.

Tate’s essay is an update of his seminal 1992 essay “Black Like B:”

“I find it impossible to discuss Basquiat’s art without talking about white supremacy, and it’s victimization of him, even and especially after death … Maybe, like his detractors, I find him easier to handle now, just another dead black genius.”

Copious plates and illustrations make this more than the typical exhibition catalogue.

Paperback, 02/22/21.

“Listen to me. I am telling you
a true thing. This is the only kingdom.
The kingdom of touching;
the touches of the disappearing, things”

— Aracelis Girmay / “Elegy”

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on my tuneage

Sometimes Unfinished Music

Sometimes I am asked to clarify my position
and
I say I’m equidistant to roil and root.

Sometimes I am asked to qualify what I mean
and
I say this hand is love and this hand is hate.

Sometimes I wonder what all of this means
and
I say to myself: I didn’t ask to be put on this ride but I’m going to have to ride it out.

Sometimes I rail
and
Sometimes I sleep through it all

Sometimes I think in English
and
Sometimes I think in Spanish

and …

In this way I moved ever so much closer to where I thought I needed to be. What I needed to do to regain some balance in my life.

I turned on my tuneage.

I listened to John Lennon & Yoko Ono’s Unfinished Music Series Volumes 1-3, all three records put me in the mood to do something drastic.

Especially after reading about the making of the records — now that I was weighed down with the knowledge that the heartbeats I kept hearing throughout the latter two records were the heartbeats of their dead baby.

By the time I came to the song “John & Yoko” on Unfinished Music 3, with the repeated and incessant cries of “John,” “Yoko,” and the heaving palpitations of the dead baby’s heart I started throwing books in the fireplace. I couldn’t take it.

I left the apartment and went to O’Hara’s — the Irish pub down the street on the corner of South Miami Ave and 26th Street — it was half empty and dark just the way I enjoyed it. I chose the end most stool by the rarely used back entrance, certain that I’d get some writing done.

No one would want to sit near a television with a screen saver on it, all the action was near the front where the University of Miami football game was blaring.

I ordered the Reuben Egg Rolls — not exactly the first dish one thinks of when one is thinking about Irish pub food.

That is how I got to this very point.

“If people where given the choice between democracy and whiteness, how many would choose whiteness?”

— Taylor Branch, to Isabel Wilkerson / Caste: The Origins of our Discontents

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more pleasant misanthrope

Wretched Hypnopompia

This morning I woke up with an angry welt on my left temple. I had a bad night’s sleep, that much is obvious. Which is odd as I’ve sleeping rather well lately.

Eris, on the other hand, sleeps poorly. Her snoring is like the rasp of the grim reaper as he inhales your dying breath. Sleep can be wretched in our bed.

And now, I have this welt and a jagged headache to boot.

I wondered for some torpid minutes about my dreams, but I couldn’t recall having dreamt again about falling through sharp crystals in the cold gloriole encrusted sky; or the one about swimming with large pelagic fish, none of them threatening, in the warm sargasso flow; nor was there the recurrence of the dream where I urinate off the edge of Uhuru Peak, only to find myself in bed in a puddle of my own urine — this dream recurs once every decade, and I now I certainly believe that I will drown sometime in the future in a pool of my own piss.

So I’m spending the hour before Eris wakes wondering about last night’s disturbing sleep, and about what awaits us all in the near future — it’s possibly nearer for me than her, but not too distant for any of us in any case. A pandemic? A war? The zombie apocalypse?

I still have some dozen colostomy bags the hospice nurse left here during mother’s decline — to that place where we dissipate before we disappear completely. I use these bags as disposable ice packs. I have one bound around my left temple now from the blow I took last night in my sleep. The headache won’t abate.

Anyway, here I sit unable to think or eat. I can’t eat because I’m having a colonoscopy later today and I’ve been ordered to fast. And I’ve been trying to write something reasonable in my journal, while my head pounds and my stomach groans. It’s damn near impossible.

My psychiatrist suggested that I keep this journal. I don’t think it helps much of anything. She plies me with pills to insure my level mood. She wants me within my “window of tolerance.” She says I have to be less intractable around others.

“If not an altogether more pleasant misanthrope?” I tell her.

But now I’m unable to write anything meaningful because Eris is half awake and wandering about the house. And this headache is cleaving my corpus callosum.

She’s now in the kitchen, filling yet another colostomy bag with ice. She’s complaining that her right wrist hurts and that her hand is swollen. She’s using the remaining gauze tape from the lancing of my thigh pustules to bind the colostomy ice bag to her knuckles.

Oh, what a wretched hypnopompia.

“Caste is insidious and therefore powerful because it is not hatred; it is not necessarily personal… it is the worn grooves of comforting routines and unthinking expectations, patterns of a social order that have been in place for so long that it looks like the natural order of things.”

— Isabel Wilkerson / Caste: The Origins of our Discontents

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