-Series of found moving images as the film racks out of focus
-Series of stills: long open highways receding into the horizon line; traffic jammed still; parking lots (these sequences without people in the frames)
-Series of of shots resolving into sharp critical focus: buildings from various anonymous downtowns
(Fade Out)
– 4 seconds of clear leader
(Fade In)
-4 seconds of black leader
(Lap Dissolve)
-Asynchronous sound of obtuse observations about reality shows broadcast on the E! Network, c. 2007 / Over clear leader
-Mundane observations about obscure European celebrities / Over black leader
-Silence / Over cut-ups compiled from 33 sequences of film, all exactly 105 frames long, thrown into the air, and then assembled by chance operations
(Lap Dissolve)
-A Random Series Of Magnified Images Of Fleas
(Voice Over):
“The way that fleas become infective is due to a feature of their alimentary system—they have not only a stomach, or a ventriculus, but also a proventriculus, which acts as a valve that regulates the food that the flea is ingesting and trying to get to its stomach.”
(Lap Dissolve)
-American National Anthem plays
-A flagless flag pole pings as the wind whips two metal swivel flag snaps on a rope resoundingly into metal pole.
(Voice Over):
“This concludes our broadcast day …”
(Fade to Black)
White Noise.
“But Mom took me in her arms the moment she saw me: a tiny, brown, swollen blob fish. She had been trained to accept filth as her fate. Dad hadn’t.”
press the play button above to watch my short film, peripeteia (4:11)
peripeteia
we dream about a walkabout. we exhume gutter politics before they’re buried in the rattle brattle bund. we sling jagged zeugmas. we qualify this and that—our words signify nothing—we fill the interstices with air. the beckon calls for dr. bombay wanted down at zeugmatography go unheeded. we list and keel for what could have been—it inflects every point in our day. it infects every bitter requisition. a far away voice revives a chant: solidarność, solidarność, solidarność—opportunities taken, opportunities missed. a dead man says, a dream has the power to pollute the day. anoxic water is all we find—a blue-green algae, then a blood-red tide. we ramble on with viper thoughts … reality’s dark dream.
“We rest.—A dream has power to poison sleep; We rise.—One wandering thought pollutes the day;”
“I sometimes think of what future historians will say of us. A single sentence will suffice for modern man: he fornicated and read the papers. After that vigorous definition, the subject will be, if I may say so, exhausted.”
My father disappeared into the basement in search of the wine. Lois and I stood in the vestibule staring at each other. Silence.
“Oh, darling, come here. I got some schmutz on your face,” Lois said. She ran her thumb down my cheek.
I pulled back. Effrontery, I thought. Insolent. Boldness. The SAT prep words come in handy when I wanted to call a thing what it was. “Effrontery,” I mumbled, and lowered Belle and Sebastian’s “Expectations” out of my ears.
“Look at you,” Lois said. “You’re such a beautiful young woman.” She took a step back, holding my shoulders, sizing.
“Appraising,” I hissed. I was on a jag back then—still a couple of days out from taking the test. Every word in its right place. Firmly affixed.
“Ah, you’re beautiful,” Lois said. “You are a darling. Zaftig and swarthy,” she said clasping her hands to her chest. “Your father was absolutely right—every single word about you.”
I don’t know what my father saw in this woman, but whatever it was, it was enough to bring her over for dinner. The big reveal-o-rama—ugh.
I was crashing. I needed to switch tempo, switch songs—the No Doz was seeping out through my pores into the ether. I needed upbeat, so I popped in the classic punk mix cassette and stepped back. “It’s nice to meet you, but I’ve got homework to finish before dinner.”
“Wait, doll, let’s talk a bit,” she said. She grasped my arm as I turned to head upstairs and led me to the living room just as Poly Styrene was saying—some people think little girls should be seen and not heard…
“Relent.” I practiced, sotto voce, “abandon a harsh intention…”
“Your father says you’re very talented, very musical,” she said.
Beyond the Florida room sliders I spotted little Elpidio at the edge of his roof. He was dressed in his Halloween costume again. The red nylon cape fluttering in the breeze, reflecting streaks of gold in the western sky.
Lois’s face floated into my field of view. She moved me away from the sliders and said, “let me see you properly in this light.” She removed my headphones by the wire arc.
“Don’t grab them by—”
“You know in my day I went to plenty of concerts,” she said, conducting the downbeats with the upturned headphones. “Air Supply, Styx, Celine,” she moved the hair out of my eyes.
So touchy-feely, I thought—not exactly a test word, but I had to see what was going on with little Elpidio. I turned to look, and the only thing framed in the slider was the pool, our fence line, the sloping angles of the terracotta tiles on his roof, and a wisp of cirrus pasted on the bruising sky.
“Celine?” I muttered at the tail end of my spiraling energy. “Who’s Celine?” She blotted out the backyard scene again. She had overpainted the bow on her upper lip. She’d created a straight-line gash across the edge of her philtrum. She bulldozed her upper lip in coral.
I stepped aside looked over little Elpidio’s hedges. Nothing.
“Oh my God. Celine. Dion, honey!” She blocked out the view again. “Surely you’ve heard of Celine Dion, darling.” There was a wisp of a hair at the center of Lois’s beauty mark just beyond the reach of her lipstick.
“Ok. What are you listening to?” She placed the headphones upside-down on her ears, so the metal arc framed the bottom of her face. I had a whirlpool vision of a dunk-tank clown—but her framed face appeared to be the actual target. I so wanted to bash it back just then.
“Agh! Maria, what is this?” She pulled the headphones off her ears—one of the foam pads was stuck in a tangle of curls. “Oy, Maria, what is this noise?” She moved away struggling with the headphone.
Little Elpidio appeared beyond the rise of his roof and walked down the south slope and jumped.
“Maria, help me get this off—”
“Wha?” I turned to find her fumbling double fisted with one of the headphone foam pads in her hair. The headphones dangled and twisted in the dead air below her forearm. “Huh? X-Ray Spex,” I said.
“What is she screaming, hun?”
“Oh bondage up yours. Oh bondage no more,” I said.
She pulled the foam pad out of that dark tousle. I looked into the gloaming just in time to see little Elpidio take another header off the edge.
“All about us is noise. All about us is noise and bramble, thorn and din, each one of our ancestors on our tongues.”
Ghosts clogging the liminal spaces Ethers from an agonal breath Sleep descends
Heavy
Abyssal in lisle-like sheen Barbaric (without the pantaloons)
“I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason…”