over clear leader

Critical Focal Acuity (redux)

(Fade In)

-Series of found moving images as the film racks out of focus

-Series of stills: long open highways receding into the horizon line; traffic jammed still; parking lots (these sequences without people in the frames)

-Series of of shots resolving into sharp critical focus: buildings from various anonymous downtowns

(Fade Out)

 – 4 seconds of clear leader

(Fade In)

-4 seconds of black leader

(Lap Dissolve)

-Asynchronous sound of obtuse observations about reality shows broadcast on the E! Network, c. 2007 / Over clear leader

-Mundane observations about obscure European celebrities / Over black leader

-Silence / Over cut-ups compiled from 33 sequences of film, all exactly 105 frames long, thrown into the air, and then assembled by chance operations

(Lap Dissolve)

-A Random Series Of Magnified Images Of Fleas

(Voice Over):

“The way that fleas become infective is due to a feature of their alimentary system—they have not only a stomach, or a ventriculus, but also a proventriculus, which acts as a valve that regulates the food that the flea is ingesting and trying to get to its stomach.”

(Lap Dissolve)

-American National Anthem plays 

-A flagless flag pole pings as the wind whips two metal swivel flag snaps on a rope resoundingly into metal pole.

(Voice Over):

“This concludes our broadcast day …”

(Fade to Black)

White Noise.

“But Mom took me in her arms the moment she saw me: a tiny, brown, swollen blob fish. She had been trained to accept filth as her fate. Dad hadn’t.”

— Valeria Luiselli / The Story of My Teeth

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about a walkabout

press the play button above to watch my short film, peripeteia (4:11)

peripeteia

we dream about a walkabout. we exhume gutter politics before they’re buried in the rattle brattle bund. we sling jagged zeugmas. we qualify this and that—our words signify nothing—we fill the interstices with air. the beckon calls for dr. bombay wanted down at zeugmatography go unheeded. we list and keel for what could have been—it inflects every point in our day. it infects every bitter requisition. a far away voice revives a chant: solidarność, solidarność, solidarność—opportunities taken, opportunities missed. a dead man says, a dream has the power to pollute the day. anoxic water is all we find—a blue-green algae, then a blood-red tide. we ramble on with viper thoughts … reality’s dark dream.

“We rest.—A dream has power to poison sleep;
We rise.—One wandering thought pollutes the day;”

— Percy Bysshe Shelley / “Mutability”

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can’t imagine sisyphus

Pandemic Lament (redux)

My depression is deeper
than yours.

My existentialism is darker.

You have Kierkegaard.
I have Fro Niz-nil-imbo.

My nihilism is bleakest.
I can’t imagine Sisyphus happy.

“He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath:

‘The horror! The horror!’ ”

— Joseph Conrad / Heart of Darkness

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flarf foo for

graphic: weathernationtv.com

flarf foo for henri (clerisy pleurisy)

a mourning veil

a thin membrane

a condolence card pulped in rain

the literati daisy chain
a bottle of cloven-foot skronk

hear the krang of the washtub
the whiddle of the fiddle

a simple onetwothree wheeze
i am eye: i have a cracked rib

relatives in boston found
a runny obituary

infamously scatalogical

“Nonlinear. Discontinuous. Collage-like. An assemblage.”

— David Markson / Vanishing Point

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cold and liminal

Ossuary (Haiku)

Ossuary hall—
A muzz of dry voices rasp—
Cold and liminal.

“The garden’s lilies have started to rot
So who is the corpse being carried from the house”

— Guillaume Apollinaire / “The Lady”

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annealed

“I sometimes think of what future historians will say of us. A single sentence will suffice for modern man: he fornicated and read the papers. After that vigorous definition, the subject will be, if I may say so, exhausted.”

— Albert Camus / The Fall

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we are refluxing

Abecedarian: The Qua of Qui

Allow me to tell you—as of the who—a liturgy of finely grained righteousness cleansed, folded and articulated:

Bestial birth canals and unguents squeezed from bodies now desiccated—

Concupiscent casuistry led us to our troubles

Delineated in these lines (I found) in the margins of thee Apocrypha.

Energumens came into a world of pain, possession and black hole nothingness.

Fecund and feculent they were legion, and what you are not is

god and neither am i (a purveyor of distilled sin in pearl dust & gin)—

Humanity’s dark mirror.

“Instant Karma is gonna get you…”

Jaundiced and juiced we know

Knowledge is nothing. We have proven as much. We are eyeless—

Lenticular madness refracted; and as blind as those who drank four ounces of white wine and horse dung

Macerated into a tincture for the masses to imbibe.

Neoteric quaffs that did not quench our thirst left us bleached, and in search

Of the man who described literature as a “tissue of citations” its contexts and referents unknowable—“a

Palimpsest of the putative self”—a scratch-off ticket past attenuated the ego(s)—Id every moment of the day.

Quincunxes. I placed on your eyes for a faster journey to nowhere.

Rampikes speared on the roads—a jagged landscape without human trace.

Starlings darkened the sky and twisted about in their darkling ablutions.

Take thy clyster pipe and syringe and find a willing official orifice proficient in state sponsored press releases—

Unction administered—and nailed up to the door jambs of a recessed congress raising money for a defunct president.

Vacillate no more for we are refluxing on our American original sin—

Wandering through the Death Museum where we whisper colloquies to lives wasted in a

Xeriscaped land of ochres and sand—a land so prickly that we found nothing but portents, penitents, and penury

Yoked to a future as arid and bleak as our past.

Zoonotic and novel apocalypses are the only viable options as we ease into these closing minutes …

(or we’ll burn it all down ourselves)

“The earthly octopi are throbbing
And so very many of us have become our own gravediggers”

— Guillaume Apollinaire / “Ocean Earth”

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straight-line gash

The Walkman Chronicle

My father disappeared into the basement in search of the wine. Lois and I stood in the vestibule staring at each other. Silence.

“Oh, darling, come here. I got some schmutz on your face,” Lois said. She ran her thumb down my cheek.

I pulled back. Effrontery, I thought. Insolent. Boldness. The SAT prep words come in handy when I wanted to call a thing what it was. “Effrontery,” I mumbled, and lowered Belle and Sebastian’s “Expectations” out of my ears.

“Look at you,” Lois said. “You’re such a beautiful young woman.” She took a step back, holding my shoulders, sizing.

“Appraising,” I hissed. I was on a jag back then—still a couple of days out from taking the test. Every word in its right place. Firmly affixed.

“Ah, you’re beautiful,” Lois said. “You are a darling. Zaftig and swarthy,” she said clasping her hands to her chest. “Your father was absolutely right—every single word about you.”

I don’t know what my father saw in this woman, but whatever it was, it was enough to bring her over for dinner. The big reveal-o-rama—ugh.

I was crashing. I needed to switch tempo, switch songs—the No Doz was seeping out through my pores into the ether. I needed upbeat, so I popped in the classic punk mix cassette and stepped back. “It’s nice to meet you, but I’ve got homework to finish before dinner.”

“Wait, doll, let’s talk a bit,” she said. She grasped my arm as I turned to head upstairs and led me to the living room just as Poly Styrene was saying—some people think little girls should be seen and not heard…

“Relent.” I practiced, sotto voce, “abandon a harsh intention…”

“Your father says you’re very talented, very musical,” she said.

Beyond the Florida room sliders I spotted little Elpidio at the edge of his roof. He was dressed in his Halloween costume again. The red nylon cape fluttering in the breeze, reflecting streaks of gold in the western sky.

Lois’s face floated into my field of view. She moved me away from the sliders and said, “let me see you properly in this light.” She removed my headphones by the wire arc.

“Don’t grab them by—”

“You know in my day I went to plenty of concerts,” she said, conducting the downbeats with the upturned headphones. “Air Supply, Styx, Celine,” she moved the hair out of my eyes.

So touchy-feely, I thought—not exactly a test word, but I had to see what was going on with little Elpidio. I turned to look, and the only thing framed in the slider was the pool, our fence line, the sloping angles of the terracotta tiles on his roof, and a wisp of cirrus pasted on the bruising sky.

“Celine?” I muttered at the tail end of my spiraling energy. “Who’s Celine?” She blotted out the backyard scene again. She had overpainted the bow on her upper lip. She’d created a straight-line gash across the edge of her philtrum. She bulldozed her upper lip in coral.

I stepped aside looked over little Elpidio’s hedges. Nothing.

“Oh my God. Celine. Dion, honey!” She blocked out the view again. “Surely you’ve heard of Celine Dion, darling.” There was a wisp of a hair at the center of Lois’s beauty mark just beyond the reach of her lipstick.

“Ok. What are you listening to?” She placed the headphones upside-down on her ears, so the metal arc framed the bottom of her face. I had a whirlpool vision of a dunk-tank clown—but her framed face appeared to be the actual target. I so wanted to bash it back just then.

“Agh! Maria, what is this?” She pulled the headphones off her ears—one of the foam pads was stuck in a tangle of curls. “Oy, Maria, what is this noise?” She moved away struggling with the headphone.

Little Elpidio appeared beyond the rise of his roof and walked down the south slope and jumped.

“Maria, help me get this off—”

“Wha?” I turned to find her fumbling double fisted with one of the headphone foam pads in her hair. The headphones dangled and twisted in the dead air below her forearm. “Huh? X-Ray Spex,” I said.

“What is she screaming, hun?”

“Oh bondage up yours. Oh bondage no more,” I said.

She pulled the foam pad out of that dark tousle. I looked into the gloaming just in time to see little Elpidio take another header off the edge.

“All about us is noise. All about us is
noise and bramble, thorn and din, each
one of our ancestors on our tongues.”

— Elizabeth Alexander / “Praise Song for the Day”

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abyssal in lisle

The Cabbaged Moon

La lune jejune (y perturbada)

Ghosts clogging the liminal spaces
Ethers from an agonal breath
Sleep descends

Heavy

Abyssal in lisle-like sheen
Barbaric (without the pantaloons)

“I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason…”

— John Keats / Letter to George & Thomas Keats

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germ of everything

These Findings

In the dust motes of the sea—
In the rains of seeds—
The germ of everything,
A death blow averted.

“When you paused for a poem
it could reshape the day
you had just been living.”

— Naomi Shihab Nye / “Every day as a wide field, every page”

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