showiness of ages

homebound habits

air hot & full of rancor / can’t breathe / the bestial reliquary open on my chest / body full of foul humor / a plague doctor nowhere in sight / fallow fields & mud / so much boot-sucking mud / skull encased in mud / the pressure of 10 andré bretons & 3 1/2 tristan tzaras / every other breath an exquisite corpse / pustules full / venom sacs stretched to leaking / my own worst enemy / uninhibited by the showiness of ages

“How do you know what you’ve forgotten? He knew only that he was a case of nerves between two eternities.”

—Arthur Krystal / “What’s the Deal, Hummingbird?”

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sweep of darkness

Condone / Condemn (i dag är det tisdag)

I have no idea what she says, or what tongue she speaks. She doesn’t speak English or Spanish, and that’s all I can muster. I haven’t the slightest idea of what she is up to, out in this perpetual gloom. But she keeps saying: “I dag ar det tisdag, I dag ar det tisdag, I dag ar det tisdag…”

I must have an odd look on my face because her lower lip quivers and her eyes well up. I don’t know what I can do for her. I offer shelter. She doesn’t understand, just repeats the same thing. I don’t know how to help. I want to help. What is she, ten or eleven years-old? How can she be out here alone?

So I say “yes!” and give her a big old bear hug.

What else is there to do in this hard-dead world? We once contented ourselves with keeping our families safe and near. Those that were content, maybe had a close circle of friends (some circles were larger than others, some were merely small frayed arcs) — maybe we tithed and volunteered to read or feed others more needy — for some this seemed enough.

But we don’t concern ourselves with the wider world anymore. Is there a world anymore? We’re safe here. It’s all waste out there.

She doesn’t battle this bear hug and she stops speaking. I squeeze to give comfort. She evanesces. Atom by atom all that is left is air.

I’m left at the shelter doorway looking like I’m hugging myself — that is, if anyone were there to look. Who would, who could, in this darkness? I’m alone, wondering why I don’t do this more often. Hug myself.

I go back into the shelter and down the stairs to the writing room. I’m down to a ream of paper, a handful of pens, and two candles… but I must compose some lines…

I.

Did I hear it in a dream?
Or is it a long-distant memory?
I dag är det tisdag…

A drooping of the eyelids in a sleepless
Moment
As you fight the sweep
Of darkness
Upon you. Only the whispered
Supplication
From the darkest corner
Of childhood
Releases you from penury.
Peaceful
Sleep never comes.

II.

I condone what you done…

In the wimple sun
I slapped away the wattle arm
Of the man that bred
Me to a hardened son.

I agree with your version
Of sublime reparation.

I condone what you done…

III.

Condone / Condemn

I dag är det tisdag…

“But in a dream I don’t worry about touching you, ruining you in that way. In a dream, I dance by myself, and I collapse.”

— Carolyn Zaikowski / In a Dream, I Dance by Myslef, and I Collapse

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the old consumers

aground

…our own worst enemy in this dank sepulcher—made our beds—breathe our own discharges—drunk on permafrost tundra-seeping methane—make it hot—turn the drab orange heat dome up—breath impossible—so my name is hip-priest/king bombogenesis of the waning anthropocene—a wilt-dripping planet hotter than the pleistocene—scads of new fossil fuel made of the old consumers of the same—like the man sang many years ago—for here am I sitting sitting in a tin can far above the world planet earth is…

what is that grey-green distended ochre mass?

who wrote this?

who ran this ship aground?

“Yes. Or you forwards and I backwards. The perfect pair. Like Dante’s damned, with their faces arsy-versy. Our tears will water our bottoms.”

— Samuel Beckett / All That Fall

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make it ours

Bully Boy Racers

Boy racers set
In Sevastopol—
Grandiloquence
& eminence—
On the blur frostway line.
Two, three,six,ten & o n e (last)
One.
Boom. Boom.
Vroom. Zoom
With a tambor & villainy.
Clearing out the country
Side. Who you with, sonny? Who
You with?
I’m with thee man
With the shashka
Out to strafe this land
Down
To the bedrock.
Aegean. Black. Caspian.
How’s that for an abecedarian?
How’s that for reach?
Remember the Atlantic
To Pacific boy racers?
Get behind the tank
& follow me down.
We gonna’ slap their hands
Clean of what they hold
& make it ours.
Take. Take. Take. ‘Cause
We can. Bully boy racer,
Bully boy, boohoo!
Manifest
Destiny. We’ve
Seen this B-4.
The bully boy
Ploy.
Always
Unjust.
Always
A
Deadly
Bore.

“I want someone who will stand on my shoulders and punch God in the face.”

— Garth Simmons / Hole Punch

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the smudged sky

Make it Rain

Blighted Maya
Hip-priest / king
Throttles the sacrifice.

Make it rain.
Make it rain.

Gutter scribe rails
Potter shards
Incomplete—

Make it rain.
Make it rain.

Ten thousand talons
Shear the smudged
Sky.

Make it rain.
Make it rain.

Cries from the deepest
Cave benight
A forest—

Make it rain.
Make it rain.

“just remember i didn’t always speak like this / i once glistened like you / like you / i am an apostate of the dust.”

— Lukas Bacho / “Semblance”

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time and detuned

1985 – 2022

The indolence of stay-at-home drinking. The lack of squeeze in this bottle. Pleased to meet me—pleased to cleft myself. I clean myself in the mirror…

It was sometime around 1985 and there were misdemeanors in my motherland’s poetry—misdeeds and pepper pot wonders around the circuit of couplets in search of a perfect end-rhyme.

My motherland was still in a training bra—in the process of becoming an anti-nowhere lecher farmer. Her beehive landings would turn themselves on and off at the most inopportune moments.

The hot chocolate boy was still a lone cocoa bean far from transcendence.

PW Botha was the “Villain of the Hour,” so a bunch of rock and pop stars insisted they weren’t going to play Sun City. Approbation. A video. A song. The right idea. Those were the yearbooks of politically righteous causeway views.

I was a mere eggcup in my motherland’s tabernacle—while my father was “bailiff enough” of the “most lost” of lost causes—together, they were the housemasters of a bureaucrat stomp so out of time and detuned that the state tacticians tendered resignations at the nearest cornershops.

But we are still here—in the kaleidoscope of plague times—still plugging away. And here we are now—still—unsupervised and undeserving of better.

“Soon I began to say black people and white people, like everyone else, uttering the lie with increasing ease, conceding the sameness of our difference, deferring to a dreading vision of a racialised world. For agreeing to be black and white, we also agree to limit the complexity of possibility, we agree to mendacities that for centuries served and will continue to serve crude hungers for power and pathological self-affirmations.”

— Abdulrazak Gurnah / Desertion

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lamé strait-jacket

fissure sophistry (flarfish #49)

the fissure for the half-
sister in the late 1940s
the recurrent gland
the lamé strait-jacket

where the nub meets the timber
she shows herself capable
erratically advertising
sometimes disappearing

the serviceman
the bookmarks
the timpanist
(again)
lived together
in common-layer
bas-relief

in some arms illegal
non-biplane propeller
flirting with woodcutters
then timpanist to timpanist

however
in the novella
(in the early bookmarks)
mr. melancholy
mr. teardrop
mr. interlocutor
marry and refuse a steady gland

a finch strait-jacket
is cold sophistry
a final appliance to charity

“Then I filled your drawer with
tight dark fists.”

— Jane Kenyon / “The Socks”

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the gutter beat

deus ex machina pt. 2

deus in the wings, taking hits off the fog machine, directs with shakespearean aplomb

deus as the hole in the sole of your quotidian shoes in the gutter beat

deus as the syncopation of your soul in 5/4 time—a blue beat among blue notes

deus as the sun ra arkestra in hyperdrive singing “nuclear war,” it’s a motherfucker, don’t you know

deus as the writing blister on your finger— the sweetest pain you know

deus as stan brakhage bubblegum—you chew chew chew ‘til your teeth go numb

deus as the usher who stepped away from lincoln’s box at ford’s theater

deus as the antediluvian methane seeping out of thawing permafrost

deus as another opportunity missed—exchanging sharp words with the stage manager

deus as your ill-lighted and out of focus photograph

deus snickering at his blackout jape—power cable in hand next to the light board

deus closing up shop and hanging his sign—away on holiday

“Sometimes nothing happens which means there is a crack that somebody lives in.”

— Carolyn Zaikowski / In a Dream, I Dance by Myself, and I Collapse

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in dim-light

deus ex machina

the deus ex machina falls through the trapdoor into the charnel house

the deus dramatic effect lost and centrifugal with a caravaggio thud

see deus roll among the sweet vinegar panhandlers

watch deus finish the hand cream to douse the smell of blood

deus in a goddard film works the chiaoscuro / a tenebrism / petrichor

deus in bombogenesis full of piss and vinegar spews

deus scumbles the rain-doused pines works the blur

deus in a peppery flourish works against the wet season cold

deus caught in the armature of the machina / ex-officio works union scale

deus doused in dim-light garlic butter reduction topped with sea salt

deus!
dreary dubious dulcet dungeonal!

deus escaped mental patient waxing ontological on black stone paths

deus relents / off stage / orders the curtain fall

deus in the jug and the red of the grapes

“As soon as the lid is closed, the corpse must breathe a sigh of relief.”

— Alistair McCartney / The Disintegrations

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you are special

Words of Advice

When you hit the wall, son:
Avoid obfuscation.
Eschew the picayune.
Think big, boy.

Pray every day.
Do right.
Go to church.
Go to work.

Bypass tontines.
Eat every toston that passes before you.
Stay fit and sober.

Do as I say.

“Don’t interfere in boy/girl fights.”
If you beat someone do it in the bathroom.
Blood cleans up easier from tile.

Stay away when I set your mother straight.
Don’t tally score when we beat you.

Your mother and I never lie.
Assume your mother and I lie.

Avoid working the sugar cane harvests.
Use sassafras leaves to keep flying insects at bay.

Ours are the best leaders.
Revel in cotton candy politics.
Believe in the sanctity of Richard M. Nixon.
We get the leaders we deserve.

Believe that you are special.
Know that you are a worthless disappointment.
Believe that you are superior to others.
Know that you are inferior to us.

Might and money make right.
Invest wisely.

Save time and money.

Say no to drugs.
(Ha!)

Always keep your gun loaded.
Never point your gun at your own head.

Be a team player.
Be a lone wolf.

Respect women.
You see I never pass up a chance to leer at one.

Be faithful.
As long as they don’t find out.

Don’t talk back.

Tip your whores generously.
Smoke opium with any and every governor you cross.

Believe in American hegemony.
Our drugs are the only justified drugs.
Our wars are the only justified wars.

Meritocracy forever.
Capitalism or death.

Always drive American.
Take care of your planet.

Don’t tally the score late in the game.
Don’t hate your parents.
Don’t beat or mistreat us when we are frail.

Remember everything we taught you,
Death will be upon you soon enough.

“A range of almost two octaves means
the devil has risen in you. My mother pressed
against a washing machine by a man
not my father. How can we learn by dissonance?”

— Jane Wong / “Microwave Beetle”

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