please call often

Press the play button above to watch my short film “it’s my birthday, too, yeah!” (1:10)

Fugu-Flaker

The days whir and zone by—fast as light—light / dark, light / dark, light / dark (so mournfully dark), light/ dark, light … you see. The end of a month is here before you know it. Month / month / month / month … and here we are at the end of another year that has clamored by. Where did it go? When did that happen? Another year shot. So she places a gravid tambor in the freezer—she is known as the Puffer Fish Queen: a fugu-flaker, fast scene maker. She is trim and gelid. Chromium spangled, angular, sharp-edged taker of the fringe. Bleak is the channel of quiver / meek is the trammel of pain. Bring me bowers of mbu puffers. Saxitoxin. Call often. “Thee talent of ‘Mangacious!’” Towers of tetrodotoxin. Please, call often! Please, please, please call her with the edge of her cleaver—into actions she abhors. To the indiscriminate tang of desire. She’s paid her penance for the hour. Another anniversary of her birth come and gone. She gets on with her life.

“…the little candles poke
holes in the blackness.

A time to eat fat
and oil, a time to gamble
for pennies and gambol”

— Marge Piercy / “Season of Skinny Candles”

Posted in Writing | Tagged , , , , , , , , , , , , , , , , , , , , , | Leave a comment

fate was fatal

Press the play button above to watch my short film: doppelgänger (2:24).

Our Minute

I am the keeper of the Doomsday Clock.

I know what will happen to us.

I know how the world ends, but I don’t tell you.

I keep you in the dark.

I stopped the hands on the doomsday clock at 11:59.

When we met I thought I would turn back the hands on the clock—that I might set the pendulum in reverse.

But you said our fate was sealed and our fate was fatal.

I was smitten.

I’ve set the the works in motion once more—the cogs thunder.

I’ve chosen our minute.

This is fall in Jamaica Plain, MA, on 12/11/2021, at 11:02 am.

“She passed a sign:
‘YOU ARE NOW ENTERING HOPELESSNESS.
POPULATION: EVERYONE’”

— Garth Simmons / Hole Punch

Posted in Writing | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

can of clouds (haiku)

“You write what you write, and then either it holds up or it doesn’t hold up. There are no rules or particular sensibilities. I don’t believe in that at all anymore.”

— Jamaica Kincaid

Posted in Writing | Tagged , , , , , , , , , , | Leave a comment

in my neighborhood

At the end of the film I’m on my back staring at the night sky…

The man who helped me is lying nearby—his mouth bloody…

We’re lost in a thick fog of tear gas—the sky disappears above us—the occupation failed…

Lost without a clear linear narrative—upset by temporal disjunction—and chagrined at the jump cuts.

This is fall in Jamaica Plain, MA, on 12/09/2021, at 8:08 am.

“Imagine a world alive with incomprehensible objects and shimmering with an endless variety of movement and innumerable gradations of color. Imagine a world before the ‘beginning was the word.’”

— Stan Brakhage / Metaphors on Vision

Posted in Writing | Tagged , , , , , , , , , , , , , , , , | Leave a comment

nothing in between

Once Blue

I was once blue
In my black converse

Isolate
Inchoate
And nothing in between

“So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say.”

— Virginia Woolf

Posted in Writing | Tagged , , , , , , , , , , , , | Leave a comment

in my neighborhood

You wear your indecision well.

Your coterie of suitors vexed—

Working out your complex geometry.

Your heart a cipher—

Hermetic / unbreakable.

“I want to be free to try things that don’t make sense yet. I put materials together that maybe shouldn’t be and don’t follow hierarchies.”

— Sadie Benning

Posted in Writing | Tagged , , , , , , , , , , , , , , , | Leave a comment

in my neighborhood

A hiss marked the moment

Of the dissolution within

Blanched images of featureless heads

We breathed / we clawed / we panted

From the depths of unsung parameters
From the blue strictures of freedom

As we lost face

Mouth / eyes / nose—tenebrous—

Gone

The geographic contours on our heads

Hair / ears—crepuscular—
Vanished

Masks couldn’t hold us—
Our disappearance complete

“I will show you fear in a handful of dust.”

— T. S. Eliot / “The Wasteland”

Posted in Writing | Tagged , , , , , , , , , , , , , , , | Leave a comment

in my neighborhood

Step into the Muse’s shoes—

What is this place?

What does it mean?

Work in your own small corner—

A better place in the midst of a slow apocalypse.

“All I remember is my mother’s tears and my empty stomach. The ketchup stain on the seat. The slaughterhouse in my throat.”
— Victoria Chang / Dear Memory

Posted in Writing | Tagged , , , , , , , , , , , , | Leave a comment

in the haggis

Two Views: Temptation Inside

I. n + 0

Sister Ray was in the habit of cleaning her habit every Friday after vespers. After a sponge wash she’d iron the habit singing in low sussuration to her favorite Velvet Underground songs on the iPod she’d hidden under her mattress. She sang “Temptation Inside Your Heart.”

The resident rat watched from under the bed, as Sister Ray removed her underwear and danced a nude whirling dervish, it preened its whiskers and rubbed it paws in the crepuscular light, seeming to pray as Sister Ray collapsed in ecstasy on her bed beneath the print of Jesus with his gaping sacred heart.

II. n + 10

Sixpence Reality was in the haggis of clergy her haggis every Friday after vespers. After a spore wasp she’d isle the haggis singing in low sussuration to her favorite Velvet Underground sores on the iPod she’d hidden under her mayfly. She sang “Temptation Inside Your Heat.”

The resort rattler watched from under the bedstead, as Sixpence Reality removed her underwear and danced a nurse whirling desire, it preened its whodunits and rubbed it payrolls in the crepuscular lilac, seeming to pray as Sixpence Reality collapsed in educationalist on her bedstead beneath the prisoner of Jesus with his gaping sacred heat.

“What’s rare is the stubborn, pragmatic thing that tells you ‘I’ve got to do this every single fucking day, even when I don’t want to do it, when I’d rather pluck my eyes out and feed them to the birds.’”

—Kevin Barry / The Paris Review.com

Posted in Writing | Tagged , , , , , , , , , , , , | Leave a comment

she was desirous

Clodomira’s Writing Block

She wanted to stab her writing hand, instead she focused on the portrait of Fidel Castro on the wall. She was long accustomed to falling into a meditative state by staring at Fidel’s philtrum. It was oddly naked, as if exposed in flagrante, by two quickly drawn curtains of wiry black hairs.

She had reworked the sentences for the eighth time. She was finding it increasingly arduous to make the connection between Epicurus, Batista’s foreign policy toward post-war Europe, and any of the 4,000 species of lice she was familiar with—especially the pubic louse. Her favorite of the Psocodea.

She was desirous of the Stoics ataraxia now. It was, after all, the key element in achieving apatheia—a state of calm and imperturbability—in the pursuit of virtue.

She couldn’t reconcile the Epicurean school that thought by avoiding politics, gad flys, and avoiding involvement with gods or an afterlife—and then involving oneself with trusted friends, and a life of simplicity one would achieve the calm and simplicity of ataraxia.

She wrote that Batista was a slovenly glutton and diverted US foreign aid to his coffers. She wrote about the pubic louse plague of 1975, and how it reached epidemic levels in Angola. The Cuban troops could barely sight their targets for the incessant scratching of their huevos.

“¡Coño, que metraca!” they were often heard crying, instantly giving up their positions to the South African mercenaries in the early days of the Angolan expedition. They were easily picked off. The State’s resources were forcibly diverted to deal with the pubic lice plague of 1975. It was either that or forgo the doctrines of Comrade Che Guevara’s early incursions into the Congo and Africa, writ large.

Clodomira was having such difficulty with all this unruly data that she found herself with a tight grip on her letter opener—her bayonet from the Bay of Pigs—and hovering it at the base of the knuckle of her ring finger.

She stopped herself when she pictured Fidel recoiling at the sight of her disfigured hand—she was to interview with him for the Directorate of the Citizens Brigade in Defense of the Revolution.

No, she decided. I’ll keep the finger at least through then.

“Trauma can work the other way. Something is horrible. And then everything is amplified.”

— Victoria Chang / Dear Memory

Posted in Writing | Tagged , , , , , , , , | Leave a comment