





What I’m Reading:
“I have nothing to give and make a poor servant,
but I can praise the spring.”
— Linda Gregg / “Taken By Each Thing”






What I’m Reading:
“I have nothing to give and make a poor servant,
but I can praise the spring.”
— Linda Gregg / “Taken By Each Thing”

pollinate crosswind
ride the six-mile iguana
bwana johnny time

What I’m Reading:
“And poetry isn’t dead
It’s gone to live on an upstate farm
The world is like that also
Getting over its need to be seen”
— Sarah Jean Grimm / “Object Permanence”

“Pick your place anywhere in the world and Great Salt Lake is a mirror reflecting a flashing light on what is coming and what is already here. Our natural touchstones of joy will deliver us to heartbreak. Each of us will face the losses of the places that brought us to life.”
— Terry Tempest Williams / “I Am Haunted by What I Have Seen at Great Salt Lake” / The New York Times
“you could mistake grief for a diamond
the way it shines when cut into, like fish
eyes in a boat’s drain.”
— Melissa Studdard / “Philomela’s tongue says”
“… I looked at you in the photograph, coming apart into each grain of your gesture, and I wanted to know this. I wanted to know when I looked at your hand in the air of the photograph, alight but limp, almost floating, toward whose caress I cannot know, what the grain is.”
— Chad Bennett / “The Grain”
“But through the box walls, I feel their fingernails
rising out of the corners of my rooms,
their presence, these strangers, these spies,
these unknown people who have walked
through my home,
have touched my private places in my home,
done this abominable thing of touring
my bedroom, my sleeping place, where at night
I revisit my ancestors…”
— Patricia Jabbeh Wesley / “Black Woman Selling Her Home in America”
“When my daughter’s class made a gingerbread house for the holidays, I licked the frosting and told her how good it was because emotional connection optimizes mental health. But I secretly spit it out since frosting’s nutrient profile is suboptimal.”
— Tom Ellison / “I’ve Optimized My Health To Make My Life As Long And Unpleasant As Possible”
“Should there be a new language for this off-kilter world? When mackerel, the traditional catch of West African and Spanish fishers, show up in Iceland, are they still mackerel? Are pelicans that glide over the Schuylkill River, at least five degrees north of their historical habitat, still pelicans, or must we translate them?”
— Anna Badkhen / “The Language of Catastrophe”
“I made a bouquet of bones and left them for coyotes.”
— Terry Tempest Williams / “I Am Haunted by What I Have Seen at Great Salt Lake” / The New York Times

What I’m Listening To:
“I’m just a symptom of the moral decay
That’s gnawing at the heart of the country”
— The The / “The Sinking Feeling”

I was begat by malpractice & malfeasance
Death had no use for me
Because I would not squat for death
There would be no dearth of fezzes
(and jaunty chapeaus)
Have I got a crazy memory for you—
Nine pigsties & a professional provocateur
Stop shivering in the cemetery
You’ve got bags under your eyes
Viper teeth & elfin ears
After 25 misconceptions
The monocle countess is 20 pilchards short
Wear my cassock
In roughly chronological order
Take me out & ridicule me
You are brimless & cylindrical

What I’m Reading:
“The universe is 95% dark stuff that we don’t understand. The remainder is this sticky matter that makes up things like you and smallpox.”
— Zach Weinersmith / Science: Abridged Beyond the Point of Usefulness

an elegiac dogma puzzle
a threnody absurd & atonal
life is: fuck fuck fuckity fuck (not sexual)
so often dark dark darkity dark (terribly dark)
enjoy the respites, enjoy the ephemeral—
the transient transits of sun
the sun sun sunny sun sun (succoring sun)
the gloaming comes on quickly
a waxing crescent turned inside-out
the sun is a dying star

What I’m Reading:
“The night was darker. The moon had turned over on its side. A night bird sang in the bluest distance.”
— Joy Harjo / Catching The Light

“You fill me with stiction.”
“Friction?”
“No. Stiction.
“Shouldn’t it be inertia?”
“No, stiction, damn it!”
“Sorry, I don’t know what that is.”
He was filled with a horror and a hate so acute at that instant that his fist automatically clenched and his arm seemed to move autonomously driving that clenched fist to an inexorable meeting with his brother’s face…
The author’s stream of thought is broken here, and a lyric, and then a deconstructed thought impinges:
Anger is an energy. The certainty of reason is a tyranny.
Speak in aphorisms. Think in signifiers. Be the signified.
And so the author continued on another string. The nascent narrative broken…
“You fill me with inertia.”
“There, that’s more like it.”
“Like what?”
“Like what I like.”
And then unable to completely gather their wits the author’s work and discipline was irretrievably disrupted, and they were done for the day.

What I’m Reading:
“… I belonged to my mother
six hours west and only left
once a season
for the purpose of daddy laying his belts and
depression on me.”
— Courtney Faye Taylor / “Visitation”

Fishwife come, fishwife served.
The Moon’s components spatial,
Sunward-facing, a constraint—
A stationmaster of flux.
Asteroids lightweight & streak—
Chockful of RNA stuff &
Vitamin B3 residues—
Dash the black void.
Fishmonger plumbed, fishmonger unnerved.
Woodpecker sentinels
Pound out a binary syncopation—
One, zero, one, one, zero,
One, zero, zero, zero,
Zero.

What I’m Reading:
“If grief is love with nowhere to go, this is my mouth turning into snow. This is somewhere.”
— Allison Benis White / “Description of Symptoms”

There wasn’t any friction during the Mother’s Day conversation, except about the use of capital letters and hyphens—there was a heated discussion there. “Excessive uses! Much too much!” one of us said.
Hang up.
There is no equitable fashion. There is no forgetting.
I wrote nothing by design of distraction. By watching Python and reading Pynchon; reading Dreiser and watching Dreyer; then watching and reading W. Herzog all day long. Nothing but “this” at the eleventh hour.
How do we stay safe in this combusting world?
How tired are we of being cooped up in our minds without viable alternatives?
This is better than nothing—I did kill 5 or 6 moths today.
They just keep coming.
I broke my vow of silence when I broke the glass in case of emergency.
I croaked—in a muttering fashion most embarrassing: “Ra… rah… run. Run! There’s a moth infestation.”
We had moths.
We were underground in our hermetically sealed glass boxes—with an infestation of moths.
How was this possible?
Had we not paid our alms, and made our ablutions in the appropriate manner? Had we not prostrated ourselves, made (cretinous) burnt offerings (I was always against this affectation) pungent and breath-taking like good little pawns?
For our troubles, for our conceits to our deity—we get moths!
Was it worth breaking 137 days of silence over?
Documents were signed, codicils initialed, an ascetic’s vow taken.
The pomp.
The sacrifice.
Moths!
What does this mean?

What I’m Reading:
“I have not eaten cake since my sixth birthday. My lifestyle factors predict I will live at least 120 optimal, cake-free years.”
— Tom Ellison / “I’ve Optimized My Health To Make My Life As Long And Unpleasant As Possible”

when you’re on the knife’s edge
you breathe
when you’re on the pivot point
you’re mindful
when you’re at the fulcrum
there is a binary
outcome
which way do you turn?
where does this go?
how does this end?

What I’m Reading:
“Some blind girls
ask questions of the moon
and spirals of weeping
rise through the air.”
— Federico Garcia Lorca / “After Passing By”

“What would I do without tears,
I used to ask myself in another world.”
— Patricia Jabbeh Wesley / “Healing Will Come: Elegy after Nartural Disaster”
“A new disease caused solely by plastics has been discovered in seabirds … The birds identified as having the disease, named plasticosis, have scarred digestive tracts from ingesting waste, scientists at the Natural History Museum in London say … It is the first recorded instance of specifically plastic-induced fibrosis in wild animals, researchers say.”
— Helena Horton / The Guardian
“… the more I pared my prose to reach 100 words, a different kind of storytelling presented itself. The art of brevity. The art of excision. The art of compression. The art of omission. The art of spaces and gaps and breaths. The art of less.”
— Grant Faulkner / “Addition by Omission: An Interview Grant Faulkner by Curtis Smith” / JMWW
“… based on data from the U.S. Bureau of Labor Statistics and Google Trends, bookstores are projected to be the most recession-proof type of U.S. business in 2023, followed by PR firms, interior design services, staffing agencies, and marketing consulting services.”
— Emily Temple / Literary Hub
“I think terrible things happen in the world every day on both a personal level and on a global level, but there’s a way that creative work can bring joy. It can provide relief—both as a reader and as a writer. It is a refuge. I think in trying to write about climate change and extinction was my way of engaging with ideas about how to deal with it.”
— Anne K. Yoder / The Creative Independent interview
“Possible to believe in a bearable sort of life
in a white room in one of the tidy anonymous streets
that flash by the elevated subway. Picture it:
a blue chair for reading, a gas ring
for coffee, the lamp in its cheap shade
casting its circle of light.”
— Katha Pollitt / “The White Room”
“Why the waste
God why?”
— Helena Kaminski / “Face”

What I’m Listening To:
“Thoughts and prayers won’t get you there
But I guess they do Make a pretty pair
Nowheresville”
— Quasi / “Nowheresville”