Conceptual Film: Critical Focal Acuity 2 (Shot / Unshot) In A Can

Series of found film cuts as the camera racks out of focus / or shoots unfocused footage

(Asynchronous sound: random and obtuse observations)

Series of stills from said shots

(Asynchronous sound: mundane observations)

Series of cuts of shots slowly resolved into focus

(Random aural cut-ups chosen via chance operation)

Fade in / Fade outs to black leave 2-3 sec black between shots

(Tank tracks grinding as Exit Music)

What I’m Reading:

“In order to reproduce the colors of nature in our films, we have painted
nature black and white. Startle the cuttlefish. Harvest the sepia. The literal color of fear.”

— Ben Lerner / Angle of Yaw